MCN Curated Headlines Archive for September, 2016

“It ignores the conclusions reached by every official investigation: that the accident was the result of multiple errors made by a number of companies.”
BP Pans Deepwater Horizon

“Each time the film deviates from the record, it is to show Transocean in a better light and BP in a worse one.”

wsj

“Some ad guru told me once the two magic words in a company name are ‘New’ and ‘Free.’ ‘’Free’ has got nothing to do with how I want to do my films, so I went with ‘New.'”
Visiting Productive Roger Corman At 90

variety

“I was falsely accused… I went to court…I was vindicated.  I feel terrible that this woman isn’t here…her family had to deal with that, but as I sit here, an apology is – no. Nat Turner, as a hero, what he did in history, is bigger than me. It’s bigger than all of us.”
Nate Parker On “60 Minutes”
And – Sharon Loeffler Talks About Her Sister

“I feel like I’m surfing, and we’re just in this really flowy state of play. It is called filmmaking because we have a camera there, but it feels a lot more like street theatre, improv, theater games… It’s just so much fun for me. It’s my favorite thing.”
When Chandler Levack Met Jill Soloway

“Nowadays, people are talking about it more. Things either call for things, or they don’t. I remember back when I was a child watching ‘The Brady Bunch’ and they started to get all politically correct, like, OK, let’s have an Asian child and a black — I used to get more offended by that than just — I grew up watching blaxploitation movies, right? And I said, that’s great. I didn’t go like, OK, there should be more white people in these movies.”
Tim Burton On Casting Miss Peregrine’s Home For Peculiar Children

 

variety

“This capital increase will enhance EuropaCorp’s ability to produce and distribute English-language films and TV series around the world. We are delighted to further strengthen our close links with Fundamental Films and the booming Chinese market.”
EuropaCorp Sells 28% Stake To China’s Fundamental Films

“The notion that we’re getting an intimate look at something usually kept behind closed doors is connected to one of Schrader’s greatest strengths, which is his comprehensive sense of research.”
As Paul Schrader Gets Retro’ed In L.A., Jim Hemphill Weighs In On American Gigolo

MCN Curated Headlines

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson