MCN Curated Headlines Archive for August, 2016

“When, a quarter century from now, a pop-music visionary refers to Men Go to Battle or For the Plasma or Krisha or Viktoria or Kate Plays Christine or another under-the-radar low-budget film of imagination and ingenuity, woe unto the critics who were here at the time and didn’t pay attention.”
Richard Brody On “Why Movies Still Matter”

nymag

“It is fun to speculate how the famously comic Wilder might have interpreted the dramatic role of Rene Gallimard. But when I think of Gene, I am lucky to remember him as more than the brilliant performer who brought the world so much joy. I can think of him, not only as a major actor, not only a comic genius, but also, as a great lover.”
David Henry Hwang On Gene Wilder

“I came away believing that no other city in the United States would be a better setting, intellectually and artistically, for the Lucas Museum.”
After Rejection By Chicago, George Lucas Opens Part Of Art Collection To San Francisco Chronicle

LA Times

“I say this in full awareness that the only thing more tedious and predictable than sequels, remakes and reboots is a critic who complains about sequels, remakes and reboots.”
Justin Chang Chews Over Summer 2016 At The Movies

“What is there to say, really, when someone so uniquely good takes his final bow? ‘Thanks for the laughs’ doesn’t begin to cover it. Still: Thanks for the laughs.”
Michael Phillips On Gene Wilder

MCN Curated Headlines

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“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West