MCN Curated Headlines Archive for July, 2016

“I can trace my deepening love and appreciation for cinema directly from one viewing of Point Break to another. I would have first caught it piecemeal on network television in junior and senior high, swept up in the narrative and literally sensational setpieces; next, on DVD in college, enamored with its poetry and moral ambiguity; and, finally, during multiple viewings on DVD and Blu-ray, astonished anew at the total extraordinary package. It is a film firing on every conceivable cylinder, its exhilarating blend of action, morality, comedy, politics, spirituality and subversive-bordering-on-queer romance adding up to a genuinely poetic exploitation film in which every life has value.”
Stephen Cone On Point Break

“Even though it’s fun to describe the scene as two guys talking about God, I spent many sleepless nights getting the choreography down.”
Behind The 18-Minute Powerhouse Centerpiece Of Indignation

this bradley cooper thing has me so upset im burning all his dvds
I have a list of celebrities that support Socialism I refuse to spend another $ on. Add this one. Boycott them all.

American Sniper Random Fans Disapprove Of Bradley Cooper Attending DNC

variety

“The first thing he’d ask when a new actor came on set was, “Did you eat?” That was a big thing for him: ‘Get him some food!’ You thought you were in somebody’s kitchen, having a cup of coffee. That sets the mood.”
Hector Elizondo On Being Garry Marshall’s “Lucky Charm” On All 18 Features

hollywoodreporter.com

There are too many mediocre shows on television, but at a time when the industry has glut of series that fail to have an impact, we’ve been able to give fans what they want: adventurous storytelling with original voices.”
Netflix To Spend More Than $6 Billion On Originals And Acquisitions

“The only ones I would really want to work with are Martin Scorsese and Woody Allen. If one of their films were suitable for me, it would be like touching the sky with my hand.”
“I am fine filming in Spanish, thank you,” Says Argentine Great Ricardo Darín

MCN Curated Headlines

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas