MCN Curated Headlines Archive for July, 2016

“I can trace my deepening love and appreciation for cinema directly from one viewing of Point Break to another. I would have first caught it piecemeal on network television in junior and senior high, swept up in the narrative and literally sensational setpieces; next, on DVD in college, enamored with its poetry and moral ambiguity; and, finally, during multiple viewings on DVD and Blu-ray, astonished anew at the total extraordinary package. It is a film firing on every conceivable cylinder, its exhilarating blend of action, morality, comedy, politics, spirituality and subversive-bordering-on-queer romance adding up to a genuinely poetic exploitation film in which every life has value.”
Stephen Cone On Point Break

“Even though it’s fun to describe the scene as two guys talking about God, I spent many sleepless nights getting the choreography down.”
Behind The 18-Minute Powerhouse Centerpiece Of Indignation

this bradley cooper thing has me so upset im burning all his dvds
I have a list of celebrities that support Socialism I refuse to spend another $ on. Add this one. Boycott them all.

American Sniper Random Fans Disapprove Of Bradley Cooper Attending DNC

variety

“The first thing he’d ask when a new actor came on set was, “Did you eat?” That was a big thing for him: ‘Get him some food!’ You thought you were in somebody’s kitchen, having a cup of coffee. That sets the mood.”
Hector Elizondo On Being Garry Marshall’s “Lucky Charm” On All 18 Features

hollywoodreporter.com

There are too many mediocre shows on television, but at a time when the industry has glut of series that fail to have an impact, we’ve been able to give fans what they want: adventurous storytelling with original voices.”
Netflix To Spend More Than $6 Billion On Originals And Acquisitions

“The only ones I would really want to work with are Martin Scorsese and Woody Allen. If one of their films were suitable for me, it would be like touching the sky with my hand.”
“I am fine filming in Spanish, thank you,” Says Argentine Great Ricardo Darín

MCN Curated Headlines

joker scr888 on: Academy of Motion Picture Arts and Sciences Elects 2018–19 Board of Governors

genting casino vacancy malaysia on: Academy of Motion Picture Arts and Sciences Elects 2018–19 Board of Governors

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch