MCN Curated Headlines Archive for July, 2016

“I can trace my deepening love and appreciation for cinema directly from one viewing of Point Break to another. I would have first caught it piecemeal on network television in junior and senior high, swept up in the narrative and literally sensational setpieces; next, on DVD in college, enamored with its poetry and moral ambiguity; and, finally, during multiple viewings on DVD and Blu-ray, astonished anew at the total extraordinary package. It is a film firing on every conceivable cylinder, its exhilarating blend of action, morality, comedy, politics, spirituality and subversive-bordering-on-queer romance adding up to a genuinely poetic exploitation film in which every life has value.”
Stephen Cone On Point Break

“Even though it’s fun to describe the scene as two guys talking about God, I spent many sleepless nights getting the choreography down.”
Behind The 18-Minute Powerhouse Centerpiece Of Indignation

this bradley cooper thing has me so upset im burning all his dvds
I have a list of celebrities that support Socialism I refuse to spend another $ on. Add this one. Boycott them all.

American Sniper Random Fans Disapprove Of Bradley Cooper Attending DNC

variety

“The first thing he’d ask when a new actor came on set was, “Did you eat?” That was a big thing for him: ‘Get him some food!’ You thought you were in somebody’s kitchen, having a cup of coffee. That sets the mood.”
Hector Elizondo On Being Garry Marshall’s “Lucky Charm” On All 18 Features

hollywoodreporter.com

There are too many mediocre shows on television, but at a time when the industry has glut of series that fail to have an impact, we’ve been able to give fans what they want: adventurous storytelling with original voices.”
Netflix To Spend More Than $6 Billion On Originals And Acquisitions

“The only ones I would really want to work with are Martin Scorsese and Woody Allen. If one of their films were suitable for me, it would be like touching the sky with my hand.”
“I am fine filming in Spanish, thank you,” Says Argentine Great Ricardo Darín

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

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“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier

“My first objective relationship in life was with the camera. I didn’t understand anything but then I realized the camera is my friend. It doesn’t lie to me. It doesn’t manipulate me. It only reports what I’m doing. And therefore, for me to work with a camera and the camera to be directed by an artist, a craftsman, someone who knows what he or she wants, I couldn’t ask for anything more.”
~ Elliot Gould