MCN Curated Headlines Archive for March, 2016

wsj

“The concepts of clearances are antiquated and don’t apply to modern-day society.”
“This business has changed an awful lot. This is a legacy practice and the time has come to move on.”
Fox Ends “Clearances” For Exclusive Exhibition Rights

“I want you to be forced to just exist in the moment that we’re filming, and I’m casting you because I want you to be you. I like you, I like how you talk, I like the kinds of jokes you make, do those in my movie; don’t go create a character that’s something else.”
Joe Swanberg Keynotes SxSW 73m vid
AndRichard Brody Roundly Approves Of “The Lessons Of Film School, Distilled In One Speech”

“Considering these frustrations, the fact that DVDs of such films come out at all is sometimes a small miracle.”
Tina Hassania Says Small Video Labels Aren’t Distributing Enough Films Directed By Women… But It’s Complicated
“But if you really want to highlight women’s historical contributions to film,  you also have to look past the director’s chair. Our producers have made a point of focusing supplemental features on the many crucial ways that women have shaped our film culture.”
AndCriterion’s Peter Becker Responds

NY Times

”Censorship is denying a voice. That film has been denied a platform, but it certainly hasn’t been denied a voice.”
Anti-Vaccination Polemic Pulled From Tribeca Gets Angelika Berth; Whether It’s A Four-Wall Theater Rental Unanswered By Times
AndDistributor Cinema Libre Offers Their Side

“Those films feel very alive. I don’t think Jeanne Dielman has taken one wrinkle. The intensity of loneliness is always of today.”
Eric Hynes Talks To Babette Mangolte About Chantal Akerman

“It was certainly —-king humorless, there was nothing funny going on in that world whatsoever.”
Kevin Smith Says Batman v Superman Shows “Fundamental Misunderstanding” Of Its Protagonists

“It was Meryl’s weakness, not her strength, that convinced Hoffman.”
Michael Schulman On When Meryl Streep Launched Her “Legend”

MCN Curated Headlines

Quote Unquotesee all »

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West