MCN Curated Headlines Archive for March, 2016

wsj

“The concepts of clearances are antiquated and don’t apply to modern-day society.”
“This business has changed an awful lot. This is a legacy practice and the time has come to move on.”
Fox Ends “Clearances” For Exclusive Exhibition Rights

“I want you to be forced to just exist in the moment that we’re filming, and I’m casting you because I want you to be you. I like you, I like how you talk, I like the kinds of jokes you make, do those in my movie; don’t go create a character that’s something else.”
Joe Swanberg Keynotes SxSW 73m vid
AndRichard Brody Roundly Approves Of “The Lessons Of Film School, Distilled In One Speech”

“Considering these frustrations, the fact that DVDs of such films come out at all is sometimes a small miracle.”
Tina Hassania Says Small Video Labels Aren’t Distributing Enough Films Directed By Women… But It’s Complicated
“But if you really want to highlight women’s historical contributions to film,  you also have to look past the director’s chair. Our producers have made a point of focusing supplemental features on the many crucial ways that women have shaped our film culture.”
AndCriterion’s Peter Becker Responds

NY Times

”Censorship is denying a voice. That film has been denied a platform, but it certainly hasn’t been denied a voice.”
Anti-Vaccination Polemic Pulled From Tribeca Gets Angelika Berth; Whether It’s A Four-Wall Theater Rental Unanswered By Times
AndDistributor Cinema Libre Offers Their Side

“Those films feel very alive. I don’t think Jeanne Dielman has taken one wrinkle. The intensity of loneliness is always of today.”
Eric Hynes Talks To Babette Mangolte About Chantal Akerman

“It was certainly —-king humorless, there was nothing funny going on in that world whatsoever.”
Kevin Smith Says Batman v Superman Shows “Fundamental Misunderstanding” Of Its Protagonists

“It was Meryl’s weakness, not her strength, that convinced Hoffman.”
Michael Schulman On When Meryl Streep Launched Her “Legend”

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Stacey Snider At CinemaCon

“I’ve gotta hand it to Mitch Lowe – he realized what its previous owners didn’t – that when you have a subscription business, only two things matter: subscriber acquisition rate (cost to get a new subscriber) and churn rate (how fast you lose them). Supposedly he’s gotten them both close to zero, and it has become the fastest-growing subscription service ever. MoviePass is a great idea that has a window of about 12-18 months to either become a colossus or disappear. In addition to adding subscribers, it needs to get serious and visionary.”

Brad Pitt’s Plan B And Annapurna Moot Harvey Weinstein Downfall Fiction, “To Which No Stars Or Directors Are Yet Formally Attached,” Based On The Work Of Jodi Kantor And Megan Twohey

Sandra Ignagni On Twenty-Five Years Of Documentaries At Hot Docs

“The classical part of the colorful spectacle of BraVo was a cross between the Oscars and Eurovision. ‘I went to the Bolshoi Theatre, and saw how officials and dilettantes, hidden behind the names of people with talent, amused themselves at the expense of state-owned companies,” wrote a theater blogger afterwards. ‘It would have been better if they’d shot the money from the Theater Square into the sky with a big cannon.'”

“Belgium’s prime minister has criticised one of the country’s leading universities over its plan to honour Ken Loach”

Lynne Ramsay Gives Plain, Good AMA

People Promotes Gwyneth’s GOOP By Reporting on GOOPcast Banter Of Her Mother Blythe Danner Turning Down Offer Of Tinder, Jdate Or A Vibrator

“The idea of Bill Cosby as network kingpin is greeted with enthusiasm by those who appreciate his creative genius and moral commitment. But it doesn’t sit well with some entertainment veterans who have worked with Cosby in a business capacity. The picture that emerges from these sources is of an ego out of control, someone who is not used to hearing ‘No.'” From 1993, Nikki Finke On Bill Cosby’s Hope To Buy All Of NBC

“Here’s the 1969 Bill Cosby Routine About Wanting to Drug Women’s Drinks”

Quote Unquotesee all »

“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish