MCN Curated Headlines Archive for February, 2016

“The Cliftex continues to make, and reinforce, memories for its town’s residents, many of whom show up to socialize under the marquee’s blue-and-green neon when the box office opens a half-hour before showtime. ‘You can see everybody in this town that you want to see in 30 minutes.'”
Clifton, Texas’ 150-Seat Cliftex Theater Turns 100

variety

“These nationalists don’t deal with the actual film. They use the film as a pretext to rouse patriotic sentiment and give vent to their neverending obsession with a supposed worldwide Jewish-German-leftwing-liberal-Russian conspiracy against Poland. It’s their outrageous xenophobic statements that do damage to our reputation abroad—not my film.”
Polish Public Television Prefaces Broadcast Of Ida With 12-Minute Attack 

NY Times

“We don’t care, and yet somehow we must because there’s a lot at stake. I mean, no Rivette in the necrology montage? What kind of world is this? Well, this world—one in which our host stood up for less racism, then cracked a joke about the academy’s accountants being cute Asian kids who make our iPhones. Comedy’s messy!”
Dargis, Morris & Scott Review Oscar Evening

Spoils Shared By Spotlight, Revenant, Fury Road

“Roger Ebert wasn’t bad. He was a true film lover at least, a failed filmmaker, which gave him a great deal of insight. His passion for film was contagious and he shared this with his fans. He loved films and his contribution to cinema as a result was positive. Now we have a pack of diseased vultures pecking at the bones of a dying carcass. Trying to peck to the rhythm of the consensus. I applaud any filmgoer who values their own opinion enough to not base it on what the pack-mentality say is good or bad.”
Alex Proyas Reads His Gods Of Egypt Reviews And Posts To Facebook

NY Times

“We know you couldn’t break your contracts this year, but we are putting you on notice: If you want to have another all-white Oscars, we will cut you off,” Mr. Sharpton said, as the jam-packed church erupted with cheers. “We cannot and will not have the face of American culture exclude us.”
Cieply & Barnes Align Oscar Broadcast Doubts

“Oscars are based on visibility and resonance. A movie studio’s marketing dollars give a film visibility. Resonance is partly up to timing, but mostly it’s up to us, the audience. It’s our empathy in the dark of movie theatre that just might change the nominees list next year.”
TIFF’s Cameron Bailey On Inclusiveness

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

“Sinclair Broadcast Group executives reprimanded and ultimately ousted a local news reporter who refused to seed doubt about man-made climate change and “balance” her stories in a more conservative direction.Her account, detailed in company documents, offers a glimpse at the inner workings of a media giant that has sought to both ingratiate itself to Trump and cast itself as an apolitical local news provider — a position the documents undermine…”

Members of Legally Embattled Netanyahu Gov’t And Ruling Party Attack Natalie Portman, With One Member Who Is Expelled From Knesset Calling For Her Israeli Citizenship To Be Revoked

Future British Film Tax Subsidies Under Labour Would Require Diversity Hires

Anthony Swofford Suggests “Full Metal Jacket Seduced My Generation and Sent Us to War”

“Music is not a subsidiary, luxury, minor industry for the United Kingdom. We are the second biggest provider of music to the world after the US. Music is of enormous benefit to us as a country. That is a fact, not an opinion. Nor is it special pleading. For a modern, developed country to deliberately, willfully strangle one of its lead exporters [through “Brexit”] is bordering on insane. Indeed, the Creative Industries as a whole are the fastest-growing sector in our economy, worth last year just under £100 billion to our national coffers.”

“For too long film critics have focused on the drugs actors and directors are taking, when they should be looking at the audience.”

Emily Nussbaum on “Roseanne”

“Where Countries Are Tinderboxes and Facebook Is a Match”: A Look At Sri Lanka, Where Facebook Pits Muslim Against Buddhist In Murderous Fervor

Anthony Hopkins

Claire Denis

Quote Unquotesee all »

“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish