MCN Curated Headlines Archive for January, 2016

Ensemble: Spotlight; Larson, DiCaprio; Supporting: Vikander, Elba; Stunts: Mad Max: Fury Road
The Complete 2016 SAG Film Awards List

NY Times

“No matter how much the industry and its media minions seem determined to turn Sundance into a snowy exurb of Hollywood, the festival continues to push against the mainstream tide through some of its selections.”
Manohla Dargis Reports From Sundance

NY Times

“If the academy is out of touch, what does that make me? A dinosaur. A stagecoach driver in the age of Uber. An old man yelling at a cloud.”
A. O. Scott Previews His Forthcoming “Better Living Through Criticism”

“Ira Sachs has become the quintessential auteur of today’s New York–the one of class inequality, and of relationships transformed by the changing city around them.”
Bilge Ebiri Salutes Sundance’s Little Men

“The internet I do use, mostly email, and it’s a fine instrument. Those who read gain the world, and those who are too much on the internet lose it.”
Werner Herzog In The Modern World

hollywoodreporter.com

“’You will have to fly Mo’Nique and her team out and you would have to pay for her team—for hair and makeup and wardrobe—because that’s a night where there’s a lot of picture-taking and it’s TV.’ And they said, ‘That’s not something that we do. We don’t fly anyone in and pay for anyone and put anyone up.’ And we said, ‘We understand. But that’s not something we do either. We don’t pay out money to come on your program.'”
Mo’Nique On To Oscar Or Not

“Notes may seem stupid. It is your job to look past their bad solution to the problem they are responding to–and come up with a better solution.”
Zoe Kazan’s “Useful Lessons I Have Learned From Having Screenwriters For Parents”

hollywoodreporter.com

“Baseball and football have taken proactive steps to solve the problem and have made significant progress. The Academy has now embarked on a path that will hopefully also produce positive results with enough effort and intent.”
Democratic Political Operative Donna Brazile Has An Oscar Campaign Written In Deadly Politic-ese

“We trans folk are likewise aggrieved when our complex struggles are reduced to mannered gesturing as shorthand for stereotypical gender behaviours, especially when played equally to the Academy as to the gallery.”
Australian Trans Woman Cerise Howard On The Danish Girl

variety

People Magazine Took On A “H’wd Blackout”—In 1996
“Although Hollywood’s executive corps is clearly too vanilla, why launch your assault at this time, when significant inroads are being made? Protests and picketing are passe. There is growing resentment in this country against anything that smells of affirmative action. No matter what anyone tells you, Hollywood hires on merit, and the opportunities are there.”
AndA 62-Year-Old Peter Bart Dismissed The Idea

“The show is distinctive in its sparseness, its fixed and almost obsessive concentration on Nichols’ face and voice. Beyond the substance of the film, its very form is May’s highest tribute to Nichols: she can’t stop looking at him and listening to him.”
Richard Brody‘s Bittersweet Appreciation Of Elaine May’s Mike Nichols American Masters Doc

“This is a guy who discovered, nurtured, befriended, defended more great writers than just about anyone.”
Esquire Ejects Editor-In-Chief After 19 Years

MCN Curated Headlines

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Quote Unquotesee all »

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda