MCN Curated Headlines Archive for December, 2015

“We must now hurry. If the media criticizes our changes, we have to stop it. Public media are not involved in party political disputes, they should just accurately inform the public.”
Newly-Elected Polish Gov’t Cracks Down On Public Media

“I relate to her deeply. She manages a lot of bare-knuckled commerce that’s unforgiving and nasty. You will lose it in the blink of an eye. It will be taken from you. You gotta be able to roll off it and move on. I just dig that in her.”
David O. Russell Furthers Argument That Joy Is Veiled Indie Film Self-Portrait

variety

I misspoke and used a very inappropriate analogy and for that I apologize. I have been working with Disney for 40 years and chose them as the custodians of Star Wars because of my great respect for the company and Bob Iger’s leadership. Disney is doing an incredible job of taking care of and expanding the franchise. I rarely go out with statements to clarify my feelings but I feel it is important to make it clear that I am thrilled that Disney has the franchise and is moving it in such exciting directions in film, television and the parks. Most of all I’m blown away with the record breaking blockbuster success of the new movie and am very proud of JJ and Kathy.”
Disney Issues Statement From George Lucas Regarding “White Slavers”

variety

“For Oscar-humping banality and excruciating politesse, this film was hard to beat.”
Six Variety Critics Ding Their Least Favorite Of 2015

“When I focus too much on the awards talk, I find myself stifled, creatively. To be nominated for an Oscar would be the most wonderful thing in the world, but if you hinge your self-esteem on that, you’re really setting yourself up to feel bad about something you shouldn’t feel bad about it.”
Jason Segel Takes Awards Talk As An Opportunity To Talk About Awards Talk

“Gifts and pledges from the foundation have included $175 million to the USC film school and $25 million to the University of Chicago Laboratory schools to create an arts building. Skywalker Ranch, Mr. Lucas’s postproduction facility, declined to provide information about his personal philanthropic work.”
In Light Of George Lucas’ “Charlie Rose” Comments About Disney, What’s The Status Of His Charity Efforts And Those Of Other Star Wars Creators?

LA Times

“My job as an actor is not to elucidate the script—it is to be compellingly present. When I do a movie and I don’t know why I’m saying something is when I’m truly happy.”
What Happened Was, A Younger Charlie Kaufman Dropped A Line To Tom “Everyone Else” Noonan

NY Times

“Pacino’s is a shameless piece of acting, but it’s driven by so much confidence, so much sexiness, that all that’s really embarrassing is how you ever doubted that he could still teem with this much louche charisma.”
Wesley Morris Predicts Who Oscar Will Overlook

NY Daily News

“The weight of the evidence is actually he said-she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said, she said.”
NYDN On Cosby Arrest

“The bearing of witness lends Nemes’ distinctive aesthetic its greatest power.”
Richard Brody Puts Son Of Saul Up Against “The Ungraspable Horrors Of Auschwitz”

“Snow is cold! It’s the complete opposite of Jakku!”
Force Awakens Novel Fills In At Least 27 Plot Holes

variety

“I sold them to the white slavers that takes these things, and…” Lucas said before laughing and deciding it better not to finish. “They looked at the stories, and they said, ‘We want to make something for the fans.’ They decided they didn’t want to use those stories, they decided they were going to do their own thing… They weren’t that keen to have me involved anyway—but if I get in there, I’m just going to cause trouble, because they’re not going to do what I want them to do. And I don’t have the control to do that anymore, and all I would do is muck everything up.
George Lucas Strikes Back Again

LA Times

“‘We are trying to be the light in the darkness of Hollywood,’ says Chloe Sebest, 14, at a seminar hosted by Actors, Models & Talent for Christ.”
Redefining “Faith-Based”: Acting Seminars Seek Christian Cash

“The part that had my heart in my teeth was when Rey, the techie scavenger girl, picks up the lightsaber to fight the bad guy as an equal. And the music swells. The same old theme and a new kind of hero on a new kind of journey. The same old story made stunning in its sudden familiarity for every girl who ever dreamed of being more than a princess. Rey picks up her weapon, and everything changes.”
Laurie Penny On Why The Force Awakens Matters

“For A Better Tomorrow we were lucky because we got to work with the original camera negative. I wouldn’t say the condition was good—there were tears, and scratches, and dirt, and mold—but it’s about standard for a film that turns 30 next year.”
Hong Kong Movies, Even From As Recently As The ’90s, Are Disappearing

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Quote Unquotesee all »

“With every table in the dining room occupied and me, the only waiter, neglecting the needs of a good fifty patrons, I approached Roth. Holding out Balls as a numbness set into the muscles of my face, I spoke. “Sir, I’ve heard you say that you don’t read fiction anymore, but I’ve just had my first novel published and I’d like to give you a copy.”

“His eyes lifting from his iPhone, he took the book from my hands. He congratulated me. Then, staring at the cover, he said, “Great title. I’m surprised I didn’t think of it myself.”

“These words worked on me like a hit of morphine. Like two hits. It felt as if I was no longer the occupant of my own body. The legs had gone weak, the ears warmed, the eyes watered, the heart rate increased rapidly. Barely able to keep myself upright, I told him, “Thank you.”

“Then Roth, who, the world would learn sixteen days later, was retiring from writing, said, in an even tone, with seeming sincerity, “Yeah, this is great. But I would quit while you’re ahead. Really, it’s an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it’s not any good. I would say just stop now. You don’t want to do this to yourself. That’s my advice to you.”

“I managed, “It’s too late, sir. There’s no turning back. I’m in.”

“Nodding slowly, he said to me, “Well then, good luck.”

“After which I went back to work.”
~ Julian Tepper

“Any form of physical or sexual assault is a very serious matter, potentially a legal matter. But I’m also wondering, what about having some kind of “extreme asshole” clause? I know lots of people who have been abused verbally and psychologically. That’s traumatizing, too. What do we do with that?  It takes a lot of energy to be an asshole. The people I admire most just aren’t interested in things that take away from their ability to make stuff. The people I really respect, and that I’ve met who fit this definition, have a sense of grace about them, because they know that there is no evolving and there is no wisdom without humility. You can’t get better if you behave in a way that shuts people off. You can’t! You don’t have all the ideas necessary to solve something. You don’t! I’m sure if you spoke to Harvey in his heyday and said to him what I just said to you, he would believe that he accomplished all that he had because of the way he behaved.”
~ Steven Soderbergh