MCN Curated Headlines Archive for November, 2015

“Each of them had a kind of point. Anchorman was clearly, like, what the f— happened to the television media, what a joke it’s become.Talladega Nights was about this weird stubborn pride that was showing up in America, kind of the corporate takeover of southern pride. Stepbrothers was about how consumerism turns grown-ups into little kids.”
Jessica Pressler‘s Six-Part Vulture “Cover Story” On The Miracle That Is The Big Short

timeout.com

Tauntaun Soup Dumplings, Jar Jar Bisque, Obi-Wan Pierogi
Chicago’s Table, Donkey, Stick Resto Mounts A Star Wars I-VI Dinner

“Claiming that sex-strikes can stop rape  is premised on the idea that rapists are somehow concerned with the thoughts and opinions of their potential victims. There is very little evidence support this contention.”
Ta-Nehisi-Coates Disputes Spike Lee Comments About Chi-raq And Campus Rape

“He was a subversive populist, a celebrity avant-gardist. He was also, frequently, a political artist, one who came of age during the heyday of the Popular Front and never ceased to roil the culture industry.”
Alex Ross On A Century Of Orson Welles

“Rahm Emanuel is giving a billionaire filmmaker priceless parkland for $10.”
John King On The $400 Million Private Museum of George Lucas’ Miscellaneous Art On Chicago’s Lakefront

LA Times

“It also complained about the use of a slang word for testicles, ordering the term be changed to ‘cats.'”
India Move Toward Harsher Censorship Takes Toll On SPECTRE: Language, Kissing At Issue

“As long as they let me. It’s the only thing I really enjoy.”
Peter Hartlaub On The Living Legacy Of Satirist Mort Sahl, Still Performing At 88

“We made sure that in every scene the characters had an eye light, just like a live-action film would. A specific light that was set to reflect and give that twinkle in the eye. Trying to get them to move in sync with one another and allow for the animators to see what they were doing was definitely a challenge.”
A Strong Backgrounder On The Origins And Production Of Anomalisa spoilers

“Most of the people in the world of distribution are straight white men and they’re distributing messages that make them the heroes, that make people empathize with them, and allow them to ‘otherise’ women, people of color and queer people. But we were raised to be objects and trophies in their storylines.”
“Transparent” Director Jill Soloway Talks Gender

“I see her the same instant she sees me, and instantly, I love her. Instantly, I am terrified, because I know she knows I am terrified and that I love her. Though there are seven girls between us, I know, she knows, she will come to me and have me wait on her.”
The Passions Behind Patricia Highsmith’s “Carol” Novel

Salon

Carol is such a moving film and such a beautiful film, which demonstrates in a thousand ways why cinema (however moribund or irrelevant it may appear) is not television, that I am reluctant to privilege any particular element of its construction. It is one of the greatest American screen romances of any era, period–and perhaps that serves as the ultimate vindication of Haynes’ outspoken commitment to ‘queer cinema.'”
Andrew O’Hehir Definitely On Team Todd

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

“Sinclair Broadcast Group executives reprimanded and ultimately ousted a local news reporter who refused to seed doubt about man-made climate change and “balance” her stories in a more conservative direction.Her account, detailed in company documents, offers a glimpse at the inner workings of a media giant that has sought to both ingratiate itself to Trump and cast itself as an apolitical local news provider — a position the documents undermine…”

Members of Legally Embattled Netanyahu Gov’t And Ruling Party Attack Natalie Portman, With One Member Who Is Expelled From Knesset Calling For Her Israeli Citizenship To Be Revoked

Future British Film Tax Subsidies Under Labour Would Require Diversity Hires

Anthony Swofford Suggests “Full Metal Jacket Seduced My Generation and Sent Us to War”

“Music is not a subsidiary, luxury, minor industry for the United Kingdom. We are the second biggest provider of music to the world after the US. Music is of enormous benefit to us as a country. That is a fact, not an opinion. Nor is it special pleading. For a modern, developed country to deliberately, willfully strangle one of its lead exporters [through “Brexit”] is bordering on insane. Indeed, the Creative Industries as a whole are the fastest-growing sector in our economy, worth last year just under £100 billion to our national coffers.”

“For too long film critics have focused on the drugs actors and directors are taking, when they should be looking at the audience.”

Emily Nussbaum on “Roseanne”

“Where Countries Are Tinderboxes and Facebook Is a Match”: A Look At Sri Lanka, Where Facebook Pits Muslim Against Buddhist In Murderous Fervor

Anthony Hopkins

Claire Denis

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“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish