MCN Curated Headlines Archive for November, 2015

“Each of them had a kind of point. Anchorman was clearly, like, what the f— happened to the television media, what a joke it’s become.Talladega Nights was about this weird stubborn pride that was showing up in America, kind of the corporate takeover of southern pride. Stepbrothers was about how consumerism turns grown-ups into little kids.”
Jessica Pressler‘s Six-Part Vulture “Cover Story” On The Miracle That Is The Big Short

timeout.com

Tauntaun Soup Dumplings, Jar Jar Bisque, Obi-Wan Pierogi
Chicago’s Table, Donkey, Stick Resto Mounts A Star Wars I-VI Dinner

“Claiming that sex-strikes can stop rape  is premised on the idea that rapists are somehow concerned with the thoughts and opinions of their potential victims. There is very little evidence support this contention.”
Ta-Nehisi-Coates Disputes Spike Lee Comments About Chi-raq And Campus Rape

“He was a subversive populist, a celebrity avant-gardist. He was also, frequently, a political artist, one who came of age during the heyday of the Popular Front and never ceased to roil the culture industry.”
Alex Ross On A Century Of Orson Welles

“Rahm Emanuel is giving a billionaire filmmaker priceless parkland for $10.”
John King On The $400 Million Private Museum of George Lucas’ Miscellaneous Art On Chicago’s Lakefront

LA Times

“It also complained about the use of a slang word for testicles, ordering the term be changed to ‘cats.'”
India Move Toward Harsher Censorship Takes Toll On SPECTRE: Language, Kissing At Issue

“As long as they let me. It’s the only thing I really enjoy.”
Peter Hartlaub On The Living Legacy Of Satirist Mort Sahl, Still Performing At 88

“We made sure that in every scene the characters had an eye light, just like a live-action film would. A specific light that was set to reflect and give that twinkle in the eye. Trying to get them to move in sync with one another and allow for the animators to see what they were doing was definitely a challenge.”
A Strong Backgrounder On The Origins And Production Of Anomalisa spoilers

“Most of the people in the world of distribution are straight white men and they’re distributing messages that make them the heroes, that make people empathize with them, and allow them to ‘otherise’ women, people of color and queer people. But we were raised to be objects and trophies in their storylines.”
“Transparent” Director Jill Soloway Talks Gender

“I see her the same instant she sees me, and instantly, I love her. Instantly, I am terrified, because I know she knows I am terrified and that I love her. Though there are seven girls between us, I know, she knows, she will come to me and have me wait on her.”
The Passions Behind Patricia Highsmith’s “Carol” Novel

Salon

Carol is such a moving film and such a beautiful film, which demonstrates in a thousand ways why cinema (however moribund or irrelevant it may appear) is not television, that I am reluctant to privilege any particular element of its construction. It is one of the greatest American screen romances of any era, period–and perhaps that serves as the ultimate vindication of Haynes’ outspoken commitment to ‘queer cinema.'”
Andrew O’Hehir Definitely On Team Todd

MCN Curated Headlines

Quote Unquotesee all »

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham