MCN Curated Headlines Archive for November, 2015

“Each of them had a kind of point. Anchorman was clearly, like, what the f— happened to the television media, what a joke it’s become.Talladega Nights was about this weird stubborn pride that was showing up in America, kind of the corporate takeover of southern pride. Stepbrothers was about how consumerism turns grown-ups into little kids.”
Jessica Pressler‘s Six-Part Vulture “Cover Story” On The Miracle That Is The Big Short

timeout.com

Tauntaun Soup Dumplings, Jar Jar Bisque, Obi-Wan Pierogi
Chicago’s Table, Donkey, Stick Resto Mounts A Star Wars I-VI Dinner

“Claiming that sex-strikes can stop rape  is premised on the idea that rapists are somehow concerned with the thoughts and opinions of their potential victims. There is very little evidence support this contention.”
Ta-Nehisi-Coates Disputes Spike Lee Comments About Chi-raq And Campus Rape

“He was a subversive populist, a celebrity avant-gardist. He was also, frequently, a political artist, one who came of age during the heyday of the Popular Front and never ceased to roil the culture industry.”
Alex Ross On A Century Of Orson Welles

“Rahm Emanuel is giving a billionaire filmmaker priceless parkland for $10.”
John King On The $400 Million Private Museum of George Lucas’ Miscellaneous Art On Chicago’s Lakefront

LA Times

“It also complained about the use of a slang word for testicles, ordering the term be changed to ‘cats.'”
India Move Toward Harsher Censorship Takes Toll On SPECTRE: Language, Kissing At Issue

“As long as they let me. It’s the only thing I really enjoy.”
Peter Hartlaub On The Living Legacy Of Satirist Mort Sahl, Still Performing At 88

“We made sure that in every scene the characters had an eye light, just like a live-action film would. A specific light that was set to reflect and give that twinkle in the eye. Trying to get them to move in sync with one another and allow for the animators to see what they were doing was definitely a challenge.”
A Strong Backgrounder On The Origins And Production Of Anomalisa spoilers

“Most of the people in the world of distribution are straight white men and they’re distributing messages that make them the heroes, that make people empathize with them, and allow them to ‘otherise’ women, people of color and queer people. But we were raised to be objects and trophies in their storylines.”
“Transparent” Director Jill Soloway Talks Gender

“I see her the same instant she sees me, and instantly, I love her. Instantly, I am terrified, because I know she knows I am terrified and that I love her. Though there are seven girls between us, I know, she knows, she will come to me and have me wait on her.”
The Passions Behind Patricia Highsmith’s “Carol” Novel

Salon

Carol is such a moving film and such a beautiful film, which demonstrates in a thousand ways why cinema (however moribund or irrelevant it may appear) is not television, that I am reluctant to privilege any particular element of its construction. It is one of the greatest American screen romances of any era, period–and perhaps that serves as the ultimate vindication of Haynes’ outspoken commitment to ‘queer cinema.'”
Andrew O’Hehir Definitely On Team Todd

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Post-Iger Succession+ At Disney

Morte d’Taix

“Crystal Liu says she is being unfairly singled out, given that other Chinese celebrities have voiced support for Beijing over the Hong Kong protest movement, including the city’s own Jackie Chan and Tony Leung Ka-fai. Though protesters bristle at all stars who parrot an autocratic government’s talking points, they have an ideal wedge with Liu as the lead of the upcoming global tentpole Mulan — about a young Chinese female fighter of injustice — that Disney will release March 27. The studio’s apparent decision to try to duck the difficult PR dilemma has put it in the awkward spot of aligning its interests with Beijing and the Hong Kong government, both of which seem to be hoping that the protesters will lose their nerve.”

“In a superhero cinematic landscape where inspirational maternal figures are still far too rare, Marisa Tomei’s Aunt May could be a welcome trailblazer in that regard, rather than just well-dressed window dressing.”

Harvey Crimes

What’s Steven Soderbergh’s The Laundry All About? A Mossack Fonseca And Panama Papers Primer

Chicago’s Music Box Theatre posts its digital library of film calendars back to 1983

I Pain Moviehouses: Theater Chains Still Resist The Irishman

Petit on Radio On

“In the next few years, empires will rise and crumble. Heroes will arise and reputations will be destroyed in the greatest clash of content civilization has ever seen. Maybe they’ll all lose! With a thousand models and paths to victory, it’s entirely possible that everyone is wrong. Now, that would be entertainment. It’s a terrifying time to be an executive, but a great time to be a viewer. And an even better time to be an industry watcher as the carnage begins.”

Quote Unquotesee all »

“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

Bing!

One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump