MCN Curated Headlines Archive for October, 2015

indie wire

“What brought Grantland down was not the lack of an audience but internal politics: It existed in part because ESPN wanted to keep Simmons happy, and once they stopped caring about that, its fate was sealed. That’s not to say its ending isn’t equally as depressing, but it’s harder to spin this into some kind of death knell for culture writing in general.”
Sam Adams On Why Closing Of The Dissolve And Grantland Aren’t The Same

NY Daily News

“Quentin is a phenomenal talent, a filmmaking genius. So when he or someone like him gets up and makes a statement like that, it’s felt the world around. It’s an injustice to call New York cops murderers. That is so wrong. They don’t deserve that kind of talk.”
NYDN Seeks Quentin Tarantino’s Father For Comment

NY Times

“I try to submit—I’m Muslim-like when I’m making a film. I am there to serve the film and submit to it. I don’t feel I’m God, actually. I’m merely the hand that writes.”
A Few Witticisms From Terry Gilliam

deadline

“There is no place for inflammatory rhetoric that makes police officers even bigger targets than we already are.”
“Questioning everything we do threatens public safety by discouraging officers from putting themselves in positions where their legitimate actions could be falsely portrayed as thuggery.”
Police Unions Asserting Opposition To Political Opinions Of Quentin Tarantino Now Include Los Angeles, New York, Philadelphia, Houston, Chicago, New Jersey, Wisconsin, Las Vegas

NY Times

“I love doing stop-motion for no reason except that it’s stop-motion,” Mr. Stamatopoulos said. “My favorite thing is a puppet not moving, just sitting there and being depressed.”
One More Major Lovely Downbeat Tale About Anomalisa spoilers, natch

NY Times

“It is aimed at sending a message, not just to Tarantino, but to anyone whose voice carries great weight in society.”
Three U. S. Metro Police Unions Advocate Boycott Over Tarantino Speech

“The Thing is now recognized as a morbid masterpiece of wretched existential horror.”
Now? Only Now? Where Have You Been All These Years?

“The public broadcaster belongs to the people: that is why the BBC is trusted in the UK and around the world. The BBC is a great legacy from past generations. It must be passed on even stronger into the future.”
The FT’s Martin Wolf Talks Common Sense About British Broadcasting

“He is a combo of cinematic architect and interior designer.”
Howard Feinstein Goes Down, Down In The Basement With Ulrich Seidl

wsj

“Alphabet’s Google To Fold Chrome Into Android”
Headlines That Would Have Been Sci-Fi Until Pretty Recently

hollywoodreporter.com

“It’s the Pauline Kael thing—’Nobody I know voted for Nixon.’ People in Hollywood are smart, but they’re bubble-dumb. They don’t know anyone who disagrees with them, and so they saw Carson as this black apostate and figured everyone feels the same way. What Rogen didn’t think, because he’s bubble-dumb, is that there’s a whole world out there, and Ben Carson is more popular than Hillary Clinton.”
THR Provides Breitbart Blogger Platform For Why He Believes H’wd Will Feel The Burn

MCN Curated Headlines

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas