MCN Curated Headlines Archive for October, 2015

indie wire

“What brought Grantland down was not the lack of an audience but internal politics: It existed in part because ESPN wanted to keep Simmons happy, and once they stopped caring about that, its fate was sealed. That’s not to say its ending isn’t equally as depressing, but it’s harder to spin this into some kind of death knell for culture writing in general.”
Sam Adams On Why Closing Of The Dissolve And Grantland Aren’t The Same

NY Daily News

“Quentin is a phenomenal talent, a filmmaking genius. So when he or someone like him gets up and makes a statement like that, it’s felt the world around. It’s an injustice to call New York cops murderers. That is so wrong. They don’t deserve that kind of talk.”
NYDN Seeks Quentin Tarantino’s Father For Comment

NY Times

“I try to submit—I’m Muslim-like when I’m making a film. I am there to serve the film and submit to it. I don’t feel I’m God, actually. I’m merely the hand that writes.”
A Few Witticisms From Terry Gilliam

deadline

“There is no place for inflammatory rhetoric that makes police officers even bigger targets than we already are.”
“Questioning everything we do threatens public safety by discouraging officers from putting themselves in positions where their legitimate actions could be falsely portrayed as thuggery.”
Police Unions Asserting Opposition To Political Opinions Of Quentin Tarantino Now Include Los Angeles, New York, Philadelphia, Houston, Chicago, New Jersey, Wisconsin, Las Vegas

NY Times

“I love doing stop-motion for no reason except that it’s stop-motion,” Mr. Stamatopoulos said. “My favorite thing is a puppet not moving, just sitting there and being depressed.”
One More Major Lovely Downbeat Tale About Anomalisa spoilers, natch

NY Times

“It is aimed at sending a message, not just to Tarantino, but to anyone whose voice carries great weight in society.”
Three U. S. Metro Police Unions Advocate Boycott Over Tarantino Speech

“The Thing is now recognized as a morbid masterpiece of wretched existential horror.”
Now? Only Now? Where Have You Been All These Years?

“The public broadcaster belongs to the people: that is why the BBC is trusted in the UK and around the world. The BBC is a great legacy from past generations. It must be passed on even stronger into the future.”
The FT’s Martin Wolf Talks Common Sense About British Broadcasting

“He is a combo of cinematic architect and interior designer.”
Howard Feinstein Goes Down, Down In The Basement With Ulrich Seidl

wsj

“Alphabet’s Google To Fold Chrome Into Android”
Headlines That Would Have Been Sci-Fi Until Pretty Recently

hollywoodreporter.com

“It’s the Pauline Kael thing—’Nobody I know voted for Nixon.’ People in Hollywood are smart, but they’re bubble-dumb. They don’t know anyone who disagrees with them, and so they saw Carson as this black apostate and figured everyone feels the same way. What Rogen didn’t think, because he’s bubble-dumb, is that there’s a whole world out there, and Ben Carson is more popular than Hillary Clinton.”
THR Provides Breitbart Blogger Platform For Why He Believes H’wd Will Feel The Burn

MCN Curated Headlines

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Quote Unquotesee all »

“We’re all going to die so it makes it very easy. I haven’t always thought that way but I’ve realized it’s the truth. I think age gets you there, questioning your mortality… When you realize that, it’s so liberating, it’s so free, you can fly! There’s no need to hold on to anything. Like, think of the most embarrassing thing that’s ever happened to you; it’s probably happened to 500 million people as well. Who gives a shit!”
~ Steve McQueen

“Let’s lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are. The bigot is an unreasoning hater—one who hates blindly, fanatically, indiscriminately. If his hang-up is black men, he hates ALL black men. If a redhead once offended him, he hates ALL redheads. If some foreigner beat him to a job, he’s down on ALL foreigners. He hates people he’s never seen—people he’s never known—with equal intensity—with equal venom. Now, we’re not trying to say it’s unreasonable for one human being to bug another. But, although anyone has the right to dislike another individual, it’s totally irrational, patently insane to condemn an entire race—to despise an entire nation—to vilify an entire religion. Sooner or later, we must learn to judge each other on our own merits. Sooner or later, if man is ever to be worthy of his destiny, we must fill out hearts with tolerance. For then, and only then, will we be truly worthy of the concept that man was created in the image of God–a God who calls us ALL—His children.”
~ Stan Lee, 1965