MCN Curated Headlines Archive for August, 2015

variety

“If you’re a birder, you’ll know that the birds are right.”
A Walk In The Woods Works The Details

“He begs forgiveness, prays and even gives stolen drugs back to his bosses (who don’t press charges, because he seems so sad.) There is a recurring gag that Elizabeth’s feet stink, and the movie ends with Tony washing them in a nice genderbent Mary Magdalene moment.”
Jordan Hoffman Spoilers The Rigors Of War Room; Commenters, Pray, Disagree: “It Stirs Up The Prayer Warrior Inside Of You”

“If you’re doing something that terrifies you, most likely you’re doing the right thing.”
Amber Tamblyn Talks Directing, Writing, Living

NY Daily News

“We’ve encouraged Walt Disney, ‘Put your characters out on Broadway free of charge so people don’t have to worry about their kids being groped,'” the police commissioner said.”
Disney, Marvel Shun Times Square Superhero-Shill Shutout

“If we only allow ourselves to enjoy stuff that’s somehow ideologically pure, we’d be denied most entertainment. I don’t want to be boring about this stuff, because I want people to listen when something is really egregious.”
Film Critic Helen O’Hara On Enjoying Art That’s Against One’s Principles

“When people are [called] brave in regards to playing LGBTQ people, that’s borderline offensive. I’m never going to be considered brave for playing a straight person, and nor should I be. Honestly, if I played gay characters for the rest of my career, I’d be thrilled. I wish I could, honestly!”
Ellen Page On “Brave” Actors

“You can go make a great looking movie for nothing. I just tell them, ‘Just go make something.’ The only aspect of film making that I haven’t been able to exert total control over is marketing.”
Soderbergh Sips Singani 63

“We literally asked God, ‘What do you want us to do next?’ And the Lord started prompting us to call people back to prayer and to learn how to fight in prayer. He gave us the analogy of the war room. Just like the military uses a war room to strategize against the enemy.”
Fifth Christian Pic By Kendrick Brothers, War Room, Esteems Power Of Prayer

MCN Curated Headlines

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

James Brigham (Bigg) Bunyon on: "The Not-So-Glossy Future of Magazines"

Ray Pride on: Telluride Fest Looks Back At 44

Jose Angel Cruz on: Telluride Fest Looks Back At 44

I am Groot on: Enjoy Your Groot Soundboard

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“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant