MCN Curated Headlines Archive for May, 2015

NY Times

“We are now in such a phase with Russia, you never know what really can happen.”
After Release Of Doc Critical Of Putin Friend, 33-Year-Old Russian Activist In Coma

variety

“Unbalanced, unwieldy, and at times nearly unintelligible, “Aloha” is unquestionably Cameron Crowe’s worst film. Paced like a record on the wrong speed, or a Nancy Meyers movie recut by an overcaffeinated Jean-Luc Godard, the film bears all the telltale signs of a poorly-executed salvage operation disfigured in the editing bay. But as far as misfires from great American filmmakers go, it’s a fascinating one, less a simple failed Cameron Crowe film than a total deconstruction.”
Variety’s Review: 3 Hours, 20 Minutes Before Aloha Embargo Ends

“At this point, you know what you’re getting with a Cameron Crowe movie: a sad white guy trying to find himself, a series of on-the-nose music cues, and a bunch of great actors who don’t get much to do.”
The Stranger Says Aloha To An Embargo
But – The Wichita Eagle Goes 404 With Its Early Review

“There are whole generations of moviegoers for whom jetpacks don’t mean —-, whose first memories of NASA are the Challenger disaster. And you know what? Those same generations believe in driverless cars, solar energy, smart cities, AR contacts, and vat-grown meat.”
Futurist Madeline Ashby On Optimism Onscreen: “No One Cares About Your Jetpack”

variety

“My aim was not to make a woman’s film but rather to create a contemporary film. Picasso, Modigliani, had changed the arts. I was a photographer and I wanted to change filmmaking,”
Agnès Varda Likes “Girls,” Says Money Remains The Biggest Issue

MCN Curated Headlines

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon