MCN Curated Headlines Archive for May, 2015

NY Times

“Way, way back when I made Do the Right Thing, there were people who said this film would cause riots all across America, that black people were going to run amok. They wrote a whole bunch of things. But those people ended up being on the wrong side of history. And the same is going to happen in Chicago.”
Julie Bosman Offers Background As Spike Lee Starts His Chicago Gun Violence Movie

“Our mission’s to do great journalism and tell people about the world,”
Buzzfeed Publishes “The Hardest Game Of ‘—-, Marry, Kill’ For Anybody Who Is Attracted To Hot Ladies”

“She would just go stand for nine hours at a time at an Apple store. She would just write and write and write. It was no bullshit, so conversational and unpretentious. ‘Look, I want to adapt these into a movie,’ and she said, ‘That sounds awesome,’ and I was like, ‘I want you to play the lead,’ and she was like, ‘Okay, sure.’ She lives so presently. Two hours before she met me, that didn’t exist, and then two hours later, I didn’t exist. She exists in hours.”
How The Safdies Discovered Their Heaven Knows What Star When She Was A Homeless Junkie

NY Times

“She is now barred from practicing journalism about the entertainment industry online for about a decade. Ms. Finke declined to discuss the settlement for fear of violating it. She declined to be photographed for this article, supplying the portrait instead.”
Ravi Somaiya Seances For 1,100 Words With Nikki Finke Over Her New Fictional Enterprise

“I honestly don’t know why people aren’t more into Cameron Crowe, or at least wanting him to succeed. Maybe it’s some sort of grown-up version of instinctively disliking things that your parents either like or are likely to like.”
Alex Ross Perry On Cameron Crowe And Aloha

“I want to enter someone else’s life and learn something. A lot of gay men have boyfriends that look like them. Mine are never age-appropriate. Most of my men friends that are successful in the arts do not have age-appropriate boyfriends.When you’re 68, 40s are young. Things work or they don’t.”
Thelma Adams And John Waters Have A Small Sit-down

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento