MCN Curated Headlines Archive for April, 2015

hollywoodreporter.com

“The real question becomes where do people see films first more than whether there are too many features being made or too many features being released.”
John Sloss On A Boyhood Sequel, The Virtues Of Self-Releasing, And Proper “Windowing”

“What’s alarming is the climate of which the plan is symptomatic. We’ve come to prefer anticipation to reflection—to thinking idly about a film that’s coming soon than to thinking seriously about one that’s already out. Publications tease and rumor-monger rather than digest and analyze; release dates and casting decisions are more widely shared and read than actual criticism.”
Calum Marsh Considers The Marvel Factory As An “Anticipation Machine,” With The Movies Almost Beside The Point

“While many people talk about the way that the Internet has democratized things, the film world is still stuck in old-media based patterns that rely on gatekeepers to keep things flowing. The flood of well-made films that was unleashed by the increased availability of the means of production has only made this pattern more entrenched.”
Filmmaker Michael Galinsky On The Shifting Fates Of His Doc, Who Took Johnny

“If we can get people to watch documentaries better, with a better comprehension of the inbuilt complexities of the form, perhaps we can get them to watch the news better, or to be better equipped to deal with the often crude narratives they’re presented with daily.”
Robert Greene Thinks Up Another Customarily Thoughtful Doc Thinkpiece

“At some point, the drug war was as much a function of class and social control as it was of racism. We end the drug war. I know I sound like a broken record, but we end the —-ing drug war.”
David Simon On Baltimore

“Like his friend and occasional jousting partner Roger Ebert, Richard didn’t judge a film by whether it measured up to some ideal yardstick of the medium. He welcomed the movies—at Time, some 2500, between 1980 and now—as they came. He let his wide tastes, good sense, vast memory and knowledge, and breakneck gift for language decide what they counted for.”
Good Dr. Bordwell Remembers Richard Corliss

hollywoodreporter.com

“Yes, I am a big target and I have been very successful, and there are always people who either may not have had success or for whatever reason are not fond of my success who tend to be very willing to say things that are not nice.”
THR Cover-Stories The Joel Silver Saga

daily beast

“Over the course of four movies, including Avengers: The Age of Ultron, Scarlett Johansson’s token lady Avenger has been positioned as a seductive foil to as many different male teammates.”
Jen Yamato Ponders The Black Widow’s Lack Of Agency In All Those Many Marvel Movies

“Sandler’s blatant racism and insensitivity adds a massive amount of insult to centuries of injury toward a group of people, given that just a little over 100 years ago it was acceptable to sell their scalps for $25. There’s ignorance being displayed if this entitled old comedian thinks that he can get away with making fun of that same group of people that happens to still be marginalized and oppressed by their dominant settler colonial society to this day.”
Writes Native Actor Tyson Houseman, Who Was In Twilight Movies

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Stacey Snider At CinemaCon

“I’ve gotta hand it to Mitch Lowe – he realized what its previous owners didn’t – that when you have a subscription business, only two things matter: subscriber acquisition rate (cost to get a new subscriber) and churn rate (how fast you lose them). Supposedly he’s gotten them both close to zero, and it has become the fastest-growing subscription service ever. MoviePass is a great idea that has a window of about 12-18 months to either become a colossus or disappear. In addition to adding subscribers, it needs to get serious and visionary.”

Brad Pitt’s Plan B And Annapurna Moot Harvey Weinstein Downfall Fiction, “To Which No Stars Or Directors Are Yet Formally Attached,” Based On The Work Of Jodi Kantor And Megan Twohey

Sandra Ignagni On Twenty-Five Years Of Documentaries At Hot Docs

“The classical part of the colorful spectacle of BraVo was a cross between the Oscars and Eurovision. ‘I went to the Bolshoi Theatre, and saw how officials and dilettantes, hidden behind the names of people with talent, amused themselves at the expense of state-owned companies,” wrote a theater blogger afterwards. ‘It would have been better if they’d shot the money from the Theater Square into the sky with a big cannon.'”

“Belgium’s prime minister has criticised one of the country’s leading universities over its plan to honour Ken Loach”

Lynne Ramsay Gives Plain, Good AMA

People Promotes Gwyneth’s GOOP By Reporting on GOOPcast Banter Of Her Mother Blythe Danner Turning Down Offer Of Tinder, Jdate Or A Vibrator

“The idea of Bill Cosby as network kingpin is greeted with enthusiasm by those who appreciate his creative genius and moral commitment. But it doesn’t sit well with some entertainment veterans who have worked with Cosby in a business capacity. The picture that emerges from these sources is of an ego out of control, someone who is not used to hearing ‘No.'” From 1993, Nikki Finke On Bill Cosby’s Hope To Buy All Of NBC

“Here’s the 1969 Bill Cosby Routine About Wanting to Drug Women’s Drinks”

Quote Unquotesee all »

“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish