MCN Curated Headlines Archive for April, 2015

hollywoodreporter.com

“The real question becomes where do people see films first more than whether there are too many features being made or too many features being released.”
John Sloss On A Boyhood Sequel, The Virtues Of Self-Releasing, And Proper “Windowing”

“What’s alarming is the climate of which the plan is symptomatic. We’ve come to prefer anticipation to reflection—to thinking idly about a film that’s coming soon than to thinking seriously about one that’s already out. Publications tease and rumor-monger rather than digest and analyze; release dates and casting decisions are more widely shared and read than actual criticism.”
Calum Marsh Considers The Marvel Factory As An “Anticipation Machine,” With The Movies Almost Beside The Point

“While many people talk about the way that the Internet has democratized things, the film world is still stuck in old-media based patterns that rely on gatekeepers to keep things flowing. The flood of well-made films that was unleashed by the increased availability of the means of production has only made this pattern more entrenched.”
Filmmaker Michael Galinsky On The Shifting Fates Of His Doc, Who Took Johnny

“If we can get people to watch documentaries better, with a better comprehension of the inbuilt complexities of the form, perhaps we can get them to watch the news better, or to be better equipped to deal with the often crude narratives they’re presented with daily.”
Robert Greene Thinks Up Another Customarily Thoughtful Doc Thinkpiece

“At some point, the drug war was as much a function of class and social control as it was of racism. We end the drug war. I know I sound like a broken record, but we end the —-ing drug war.”
David Simon On Baltimore

“Like his friend and occasional jousting partner Roger Ebert, Richard didn’t judge a film by whether it measured up to some ideal yardstick of the medium. He welcomed the movies—at Time, some 2500, between 1980 and now—as they came. He let his wide tastes, good sense, vast memory and knowledge, and breakneck gift for language decide what they counted for.”
Good Dr. Bordwell Remembers Richard Corliss

hollywoodreporter.com

“Yes, I am a big target and I have been very successful, and there are always people who either may not have had success or for whatever reason are not fond of my success who tend to be very willing to say things that are not nice.”
THR Cover-Stories The Joel Silver Saga

daily beast

“Over the course of four movies, including Avengers: The Age of Ultron, Scarlett Johansson’s token lady Avenger has been positioned as a seductive foil to as many different male teammates.”
Jen Yamato Ponders The Black Widow’s Lack Of Agency In All Those Many Marvel Movies

“Sandler’s blatant racism and insensitivity adds a massive amount of insult to centuries of injury toward a group of people, given that just a little over 100 years ago it was acceptable to sell their scalps for $25. There’s ignorance being displayed if this entitled old comedian thinks that he can get away with making fun of that same group of people that happens to still be marginalized and oppressed by their dominant settler colonial society to this day.”
Writes Native Actor Tyson Houseman, Who Was In Twilight Movies

MCN Curated Headlines

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“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham