MCN Curated Headlines Archive for April, 2015

hollywoodreporter.com

“The real question becomes where do people see films first more than whether there are too many features being made or too many features being released.”
John Sloss On A Boyhood Sequel, The Virtues Of Self-Releasing, And Proper “Windowing”

“What’s alarming is the climate of which the plan is symptomatic. We’ve come to prefer anticipation to reflection—to thinking idly about a film that’s coming soon than to thinking seriously about one that’s already out. Publications tease and rumor-monger rather than digest and analyze; release dates and casting decisions are more widely shared and read than actual criticism.”
Calum Marsh Considers The Marvel Factory As An “Anticipation Machine,” With The Movies Almost Beside The Point

“While many people talk about the way that the Internet has democratized things, the film world is still stuck in old-media based patterns that rely on gatekeepers to keep things flowing. The flood of well-made films that was unleashed by the increased availability of the means of production has only made this pattern more entrenched.”
Filmmaker Michael Galinsky On The Shifting Fates Of His Doc, Who Took Johnny

“If we can get people to watch documentaries better, with a better comprehension of the inbuilt complexities of the form, perhaps we can get them to watch the news better, or to be better equipped to deal with the often crude narratives they’re presented with daily.”
Robert Greene Thinks Up Another Customarily Thoughtful Doc Thinkpiece

“At some point, the drug war was as much a function of class and social control as it was of racism. We end the drug war. I know I sound like a broken record, but we end the —-ing drug war.”
David Simon On Baltimore

“Like his friend and occasional jousting partner Roger Ebert, Richard didn’t judge a film by whether it measured up to some ideal yardstick of the medium. He welcomed the movies—at Time, some 2500, between 1980 and now—as they came. He let his wide tastes, good sense, vast memory and knowledge, and breakneck gift for language decide what they counted for.”
Good Dr. Bordwell Remembers Richard Corliss

hollywoodreporter.com

“Yes, I am a big target and I have been very successful, and there are always people who either may not have had success or for whatever reason are not fond of my success who tend to be very willing to say things that are not nice.”
THR Cover-Stories The Joel Silver Saga

daily beast

“Over the course of four movies, including Avengers: The Age of Ultron, Scarlett Johansson’s token lady Avenger has been positioned as a seductive foil to as many different male teammates.”
Jen Yamato Ponders The Black Widow’s Lack Of Agency In All Those Many Marvel Movies

“Sandler’s blatant racism and insensitivity adds a massive amount of insult to centuries of injury toward a group of people, given that just a little over 100 years ago it was acceptable to sell their scalps for $25. There’s ignorance being displayed if this entitled old comedian thinks that he can get away with making fun of that same group of people that happens to still be marginalized and oppressed by their dominant settler colonial society to this day.”
Writes Native Actor Tyson Houseman, Who Was In Twilight Movies

MCN Curated Headlines

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

Quote Unquotesee all »

“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles