MCN Curated Headlines Archive for March, 2015

“I love this world, I love these characters. It is definitely a passion project for me.”
Furious 7 Screenwriter Chris Morgan Talks About The Five Installments He’s Written

deadline

“Nellie is trained in the sciences and used those sensibilities to analyze a data sample; the word “ethnic” is commonly used by casting agents. None of that works when talking about people, and race.”
Mike Fleming And Peter Bart Tapdance Around The Subject Of Nellie Andreeva’s “Ethnic” Casting Article

“The Salon piece, a late-breaking bit of Allen disapprobation, is just one of a great many you see these days; a cultural note that attempts to instruct the reader that ‘we’ can’t accept ‘this’ anymore. One almost universal feature of such pieces is a frustrating vagueness about what action ‘we’ are supposed to take concerning the unacceptable state of affairs.”
Glenn Kenny On “The Melodrama Of Woody Allen’s Critical Reputation”

“We are here to enjoy my gift. We are not here to argue. Let those people speak. We will find them and ask them to leave. I am going to handle this the way I want it handled. I’m going to tell you some more jokes.”
Cosby Does Not Countenance Hecklers

NY Times

“It is a magical moment in a marketing plan. It’s fun, even if only 45 people show up.”
Michael Cieply On Buzzfeed, VICE, CNN And Others Who Think It Would Be Fun To Run A Mini-Studio

“In another environment without drones, we would have been limited to a tripod on the street, which is not nearly as exciting as God’s Louma crane.”
Alex Gibney On Stylistic Choices In Going Clear

MCN Curated Headlines

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

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“I wanted that feeling that you could live in a city your entire life and never meet anyone who wasn’t like you.”
Gillian Flynn

“We’re all going to die so it makes it very easy. I haven’t always thought that way but I’ve realized it’s the truth. I think age gets you there, questioning your mortality… When you realize that, it’s so liberating, it’s so free, you can fly! There’s no need to hold on to anything. Like, think of the most embarrassing thing that’s ever happened to you; it’s probably happened to 500 million people as well. Who gives a shit!”
~ Steve McQueen