MCN Curated Headlines Archive for February, 2015

“A sophisticated show for a sophisticated, beautiful beer. So we put the two together and sent it to them. If we don’t think it works and somebody’s brown-bagging a Stella on a bus and it’s not the right place for our brand, then we’ll let them know that we’d prefer not to be in that scene.”
Netflix Doesn’t Have Ads, But Product Placement’s In The Mix, Especially With “House Of Cards,” Season 3

“Long before being nerdy was cool, there was Leonard Nimoy… I loved Spock.”
A Statement By The President On The Passing Of Leonard Nimoy

The Atlantic consistently runs some of the worst film writing to be found on the Internet, which is to say in the universe… If you believe that a work’s entire significance can be found in the footprint that it leaves in public discourse, then looking at the thing itself will necessarily be an afterthought. ”
Nick Pinkerton Has 2,800 Words Worth Of The “Subterranean Hot Take Blues”

“I’m the model of the non-model, the person who can’t be categorized. But they categorize me as non-categorizable, which is the same thing in the end.”
J. Hoberman On Godard As Speaker, Thinker And Filmmaker

“So, let’s say you make District 9 and it does well. So, now, a normal director is like, ‘Shit, I’ve got this pressure because this last film did well and I hope this one lives up to it.’ I don’t have that. It definitely doesn’t bother me. The thing that bothers me is if I feel like I fucked it up.”
Honesty Not Alien To Chappie Director Neill Blomkamp

Django is a black film. More than that, it is an exemplary black film. We would even go so far as to say that it is one of the most important black films of the century… which is where some of you will interrupt us to point out that Quentin Tarantino, the film’s director and screenwriter, is white, making it impossible for Django to be a black film.”
“Thirteen Ways Of Looking At A Black Film”

NY Times

“He and I talked about how I was the intellectual and he was the humanist. I would see the big picture and he would connect with people. Even in the darkest, most gruesome situations, Bruce projected a warmth and humor that really put people at ease.
Bruce Weber‘s Obit For Documentarian Bruce Sinofsky

MCN Curated Headlines

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“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert

The Promised Land steers into the fact that the United States can mean whatever people want it to mean. You may not be able to be Elvis, but you can sure as shit impersonate him for a living. America, like its current President (at least as of this article’s publication), is so dangerous precisely because it’s a blank canvas on which anyone can project their dreams. Whatever it is that you see for yourself, there’s someone you can pay for the pleasure of believing that it’s possible. In his view, the pursuit of happiness is the ultimate con, a delusion that prevents us from seeing our circumstances for what they are.

“Forget the Matrix, it’s the invention of happiness that blinded us to the truth. The rich got richer and the poor help them do it. Jarecki doesn’t argue that the American Dream is dead; he argues that it was never alive in the first place — that we were all lobsters in a pot full of water that was boiling too slowly for any of us to notice. And now it’s time for dinner. Donald J. Trump is the President of the United States. Elvis has left the building.”
~ David Ehrlich