MCN Curated Headlines Archive for February, 2015

“A sophisticated show for a sophisticated, beautiful beer. So we put the two together and sent it to them. If we don’t think it works and somebody’s brown-bagging a Stella on a bus and it’s not the right place for our brand, then we’ll let them know that we’d prefer not to be in that scene.”
Netflix Doesn’t Have Ads, But Product Placement’s In The Mix, Especially With “House Of Cards,” Season 3

“Long before being nerdy was cool, there was Leonard Nimoy… I loved Spock.”
A Statement By The President On The Passing Of Leonard Nimoy

The Atlantic consistently runs some of the worst film writing to be found on the Internet, which is to say in the universe… If you believe that a work’s entire significance can be found in the footprint that it leaves in public discourse, then looking at the thing itself will necessarily be an afterthought. ”
Nick Pinkerton Has 2,800 Words Worth Of The “Subterranean Hot Take Blues”

“I’m the model of the non-model, the person who can’t be categorized. But they categorize me as non-categorizable, which is the same thing in the end.”
J. Hoberman On Godard As Speaker, Thinker And Filmmaker

“So, let’s say you make District 9 and it does well. So, now, a normal director is like, ‘Shit, I’ve got this pressure because this last film did well and I hope this one lives up to it.’ I don’t have that. It definitely doesn’t bother me. The thing that bothers me is if I feel like I fucked it up.”
Honesty Not Alien To Chappie Director Neill Blomkamp

Django is a black film. More than that, it is an exemplary black film. We would even go so far as to say that it is one of the most important black films of the century… which is where some of you will interrupt us to point out that Quentin Tarantino, the film’s director and screenwriter, is white, making it impossible for Django to be a black film.”
“Thirteen Ways Of Looking At A Black Film”

NY Times

“He and I talked about how I was the intellectual and he was the humanist. I would see the big picture and he would connect with people. Even in the darkest, most gruesome situations, Bruce projected a warmth and humor that really put people at ease.
Bruce Weber‘s Obit For Documentarian Bruce Sinofsky

MCN Curated Headlines

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

James Brigham (Bigg) Bunyon on: "The Not-So-Glossy Future of Magazines"

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“You think you know something, don’t you? You think you’re the clever little girl who knows something. There’s so much you don’t know, so much. What do you know, really? You’re just an ordinary little girl, living in an ordinary little town. You wake up every morning of your life and you know perfectly well that there’s nothing in the world to trouble you. You go through your ordinary little day, and at night you sleep your untroubled ordinary little sleep, filled with peaceful stupid dreams. And I brought you nightmares. Or did I? Or was it a silly, inexpert little lie? You live in a dream. You’re a sleepwalker, blind. How do you know what the world is like? Do you know the world is a foul sty? Do you know, if you rip off the fronts of houses, you’d find swine? The world’s a hell. What does it matter what happens in it? Wake up, Charlie. Use your wits. Learn something.”
~ Shadow Of a Doubt, by Alma Reville, Thornton Wilder, Sally Benson

“Ophüls is my hero when it comes to blocking the actors and blocking the camera and the dance they do together. He’s just the best. By the way, have you seen The Post? I’d say Steven Spielberg is as good with the camera as anybody in film history. I saw it the other day, and I couldn’t believe how good he is at dealing with a lot of people in that small a space. He’s got ten people in a living room, and everybody’s moving around, and everything seems natural, and the camera’s dancing around them, and that thing is a miracle of staging and camerawork. I can’t wait to see it again, to really look under the hood and watch how he did it.”
~ Paul Thomas Anderson