MCN Curated Headlines Archive for January, 2015

variety

“VOD day and date, you basically are signalling that this movie is not as good as the other movies. It’s a valid way to go if you don’t think you can sustain a theatrical run.”
Sony Pictures Classics’ Barker And Bernard On Female Films From Sundance And A Disdain For Foreshortened Windows

hollywoodreporter.com

“Annapurna is helping out to keep the doors open.”
Megan Ellison Saves Santa Monica’s Vidiots

“The biggest problem isn’t genuinely independent cinema, where lower budgets mean more opportunities for women in front of and behind the camera. The problem is the six major studios that dominate the box office, the entertainment chatter and the popular imagination.”
Richard Brody On “How Critics Have Failed Female Filmmakers”

NY Times

“The nominated shorts offer a vision of what the Academy Awards should and could be but very rarely are: eclectic, cosmopolitan, scrappy and surprising.”
Writes A. O. Scott

“Waiting for bliss is a fool’s game at Sundance, whose screeners and programmers sift through thousands of titles for a selection that’s too big to see in one movie-gorging gulp. Other festivals are bigger and certainly easier to navigate than this one, with its myriad locales and black ice. But Sundance has become the pre-eminent North American showcase through its steadily growing infrastructure, brand-building and legacy-burnishing and, of course, the quality of its choices. All the world, it seems, wants to make movies and wants to go to Sundance.”
Reports Manohla Dargis

“There’s a youthful energy. I love being here.”
Lindsay Bahr On A Park City Week With James Franco

indie wire

Sam Adams Sez Journos Not The Worst People At Sundance
“As journalists, we are being subsidized to watch movies, talk to cool people and then process what we’ve learned into articles the world can read. So lighten up, journalists. We’re here to cover the cool kids, not pretend to be them.”
But – Jordan Crucchiola Declares They Are

“They are unnerved not only that Selma threatens to become ‘official’ history, but that it represents a sea change in who has custody of that history.
Mark Harris Thinks Selma Through Thoroughly

LA Times

“The important thing is locating the cuisine or the restaurant or the chef within the context of the culture. You have to know about food, and you have to have the tools to evaluate it, but I don’t think it’s any more consumer criticism than when an art critic reviews an art show.”
Looking For “A Thereness Beneath The Thereness” In Sundance Sale City Of Gold

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

“Sinclair Broadcast Group executives reprimanded and ultimately ousted a local news reporter who refused to seed doubt about man-made climate change and “balance” her stories in a more conservative direction.Her account, detailed in company documents, offers a glimpse at the inner workings of a media giant that has sought to both ingratiate itself to Trump and cast itself as an apolitical local news provider — a position the documents undermine…”

Members of Legally Embattled Netanyahu Gov’t And Ruling Party Attack Natalie Portman, With One Member Who Is Expelled From Knesset Calling For Her Israeli Citizenship To Be Revoked

Future British Film Tax Subsidies Under Labour Would Require Diversity Hires

Anthony Swofford Suggests “Full Metal Jacket Seduced My Generation and Sent Us to War”

“Music is not a subsidiary, luxury, minor industry for the United Kingdom. We are the second biggest provider of music to the world after the US. Music is of enormous benefit to us as a country. That is a fact, not an opinion. Nor is it special pleading. For a modern, developed country to deliberately, willfully strangle one of its lead exporters [through “Brexit”] is bordering on insane. Indeed, the Creative Industries as a whole are the fastest-growing sector in our economy, worth last year just under £100 billion to our national coffers.”

“For too long film critics have focused on the drugs actors and directors are taking, when they should be looking at the audience.”

Emily Nussbaum on “Roseanne”

“Where Countries Are Tinderboxes and Facebook Is a Match”: A Look At Sri Lanka, Where Facebook Pits Muslim Against Buddhist In Murderous Fervor

Anthony Hopkins

Claire Denis

Quote Unquotesee all »

“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish