MCN Curated Headlines Archive for December, 2014

NY Times

“My least favorite genre of film writing may be the ‘What Film X gets wrong about Historical Topic Y’ chin-scratcher, which generally shows little understanding of either movies or history. But such articles do serve a purpose during awards campaigns, smudging the narratives producers and publicists carefully lay down.”
Manohla Dargis And A. O. Scott Situate The Awards Season

“There are all these other people who just say they’re critics and you read their writing and they can’t write, or they can write and their writing reveals that they’re quite stupid and ignorant. Some voices have emerged that are actually quite good who never would have emerged before, so that’s the upside.”
David Cronenberg: Concerned About The Future Of The Professional Critic

LA Times

“It’s not that money is the root of all evil—it’s that it’s the root of everything.”
J. C. Chandor On His Roots Before A Most Violent Year

“Yeah, it’s the business cycle. It’s kind of like, yeah, that’s the mass murder cycle.”
“James Schamus Wants To Tell You How The Economy Really Works”

NY Times

“I was one of the horses of the Louis B. Mayer stable, and I thought the films I was given after my Academy Awards were not worthy. I couldn’t stand it anymore. Like a fire, it went to Louis B. Mayer, and I was called to him. He said, ‘We made you, and we are going to kill you.’ And I said: ‘Mr. Mayer, you did not make me. God made me. I am now in my 20s. You are an old man,’ which of course was an insult. ‘By the time I am 40 you will be dead.’”
Double Academy Award-Winner Luise Rainer Was 104

“One of Nolan’s greatest strengths has always been his control of tone, and, not unlike Inception, Interstellar is a blockbuster bathed in sadness and desolation. His works are distinguished by the single-mindedness with which he pursues concepts; the films become cinematic fugues built around a single motif.”
Bilge Ebiri Gets To The Heart Of Interstellar
Earlier – “On Interstellar‘s sincerity, and the misunderstood implications of how a movie lets you see that we’re all traveling through time”
Aaron Stewart-Ahn’s Expansive, Imaginative Defense

“We never even asked, because we knew those rights are already gone, they’re with Spielberg.”
Why There’s No Familiar MLK Oratory Is In Selma: The Speeches Are Tightly Held Under Copyright And Licensed To DreamWorks

MCN Curated Headlines

Quote Unquotesee all »

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham