MCN Curated Headlines Archive for November, 2014

“We never used the word puppetry, we never used the word robot. “
Bill Irwin Talks Some More About Miming The Kit-Kat Robot In Interstellar

“Entering as a blank slate allowed the craziness that comes with 15 relentless hours of Nolan world-layering and time-shifting to wash over me unimpeded, but it also meant I’d have about six minutes between screenings to consider how I felt about the movie, like a normal person.”
Robert Mays Consumes The All-You-Can-Eat Interstellar Pass

NY Times

“Mr. Rogen, who helped direct The Interview and has a writing credit on its script, has seized the country’s displeasure as a publicity tool.”
Michael Cieply Redefines Co-Writer-Co-Director-Co-Producer Seth Rogen’s Latest Comedy

NY Times

“Netflix is the one that everybody speaks about, but there are lots and lots and lots and lots of others. New streaming services are launching every week.”
NYT Only Appears To Search For Flaws In Netflix’s Perceived Armor, Including $90 Spend For Weinstein’s “Marco Polo” Ten-Parter

“There is no creative expression of artistic value that has ever been produced by ex-drunkards and ex-drug addicts. All the artists I have respected the most have also wallowed in all sorts of mind-expanding drugs.”
In First Interview Since Hitler Remarks, Lars Von Trier Claims He’s Quit Drugs And Alcohol; Sez “Shitty Films” Are In The Offing

“When he intoned: ‘There has been an awakening,’ I began to weep like Malakili the Rancor Keeper. It was a fast 88 seconds.”
Jordan Hoffman Circles Regal’s Union Square 14 And The Tease For SW:TFA

“To have a star just arbitrarily toss out draft after draft and force his staff to write around the clock for seven months is unfair and highly disrespectful.”
TV Writer Ken Levine On The Cosby Work Ethic

variety

“I miss a friend. I’d go to him even when he was doing his recovery, and I’d say, ‘-— the chemo, have a vodka martini,’ and he and I would go out.”
Scott Foundas Has A Brief Audience To Cover-Story Ridley Scott About Exodus, Nonstop Work, Why Movies Have To Have Stars For Finance, And Tony Scott

variety

“We’re not making The Godfather, we’re not making Chinatown. These films are not enough to get people out of their homes. That absence is now being taken care of by longform TV drama.”
Paul Schrader Packs His Informed Pessimism To Argentina

NY Times

“No matter how disruptive or innovative your business is, there are still ethical values that are fundamental that businesses have to pay attention to. All business relies on some sense of ethics because that’s what differentiates it from plain old crime.”
Nick Bilton On “The Slippery Slope Of Silicon Valley”

MCN Curated Headlines

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas