MCN Curated Headlines Archive for October, 2014

NY Times

“Regardless of the visionary question, however, it’s pretty much impossible to think of a film that grossed more than a billion dollars and is better than The Dark Knight—or, to think of it in the way that Nolan prefers, a better film that was seen, so many times over, by so many people.”
NYT Sunday Magazine Cover-Stories Chris Nolan At Almost 7,000 Words

“If you’ve ever played in any kind of improvisational group, you know that the key to making it work is listening to your fellow players, not trying to vanquish them.”
J. R. Jones Backlashes Whiplash

NY Times

“It ain’t a lot of fun to make failed movies, and to be successful you have to be in the attention-getting business. Actually, attention-getting is the dominant thing that has taken over the media business over all.”
Brooks Barnes Checks Peter Chernin’s Progress As Well-Financed But Successful Independent Producer

“By allowing it to exist as a default, we are throwing away our freedom of artistic expression as filmmakers because someone else is deciding that our work will be seen completely differently in the end.”
Cinematographer Reed Morano On The Fight Against TV’s “Smooth Motion” Setting

“With the restored health of the publishing industry and having some sense of where this sort of Isis-like distribution channel, Amazon, is going to be buried and in which plot of sand they will be stuck, publishers will be able to raise the author’s digital royalty to 40% or 50%. Writers will begin to make enough money to live.”
No Love Lost Between Literary Agent Andrew “The Jackal” Wylie And Amazon

“The use of 3D with this explosion of images is what makes this film by an 83-year-old seem so much younger and freer than most films by directors in their twenties.”
Filmmaker David Barker Goes For Godard’s Gaga

“Really, comic-book movies have destroyed the foreign sales market. But the people want it; it’s an efficient market. That’s why I wish something like The Matrix would come out now–that was an extraordinary film. We need something like that to remind people that they can have a big movie that’s also smart and exciting.
Hw’d & Fine Talks Hope For Fine Movies With Tony Gilroy

MCN Curated Headlines

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

James Brigham (Bigg) Bunyon on: "The Not-So-Glossy Future of Magazines"

“Suddenly I was 19 again and I remembered all the men who had taken advantage of the fact that I was a young woman who didn’t yet have the tools to say no, or understand the value of my own self-worth. I had many relationships both personal and professional where the power dynamic was so off that I had to create a narrative that I was the cool girl who could hang in and hang out, and that sometimes meant compromising what felt right for me.” Scarlett Johansson

AMC Entertainment Owner Dalian Wanda Set To Put Its “Limited Cash” Into Wanda Plazas, Provincial China Residence-Mall-Multiplex Combos; Pledges to Clear Overseas Debt as Revenues Drop

And The PGA Honors…

Laurie Penny

Longtime Blogger Andrew Sullivan

Bookmark Filmmaker Magazine For The Most Grounded Daily Reports On Sundance Films, Capturing How Movies Are Made Rather Than How They Are Tweeted And Ground Into Slush

Vulture Provides A Nesting Doll of Unattributed Rumors Aggregated Against Woody Allen’s Latest, Including Comparing Him To Disgraced Alabama Twice-Former Judge Roy Moore

“The Sundance Film Festival often provides a window into the kind of movies that the industry wants to sustain, and the 2018 edition is no exception.”

“Michael came out with that preemptive statement. He was articulate, said it from the heart, was honest, open and transparent. He now has to take the next step for where he goes from here. It happened 30 years ago, it was B.C.: before Catherine. I have a daughter. As we battle through now, I hope this is something she won’t even have to think of.”

Chef Paul Was 91; Other Chefs Remember French Modern Master Bocuse

Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo