MCN Curated Headlines Archive for September, 2014

hollywoodreporter.com

“We will not participate in an experiment where you can see the same product on screens varying from three stories tall to three inches wide on a smart phone.”
Regal And Cinemark Reject Weinstein Co’s Crouching Tiger, Hidden Dragon Sequel’s Simultaneous IMAX-Netflix Release

“When I have a specific reason to ask everyone to set aside their devices, it’s as if someone has let fresh air into the room. The conversation brightens, and more recently, there is a sense of relief from many of the students.”
NYU New Media Prof Clay Shirky Bans Use Of Laptops, Tables And Phones In Classroom

“The greatest sustained display of directorial virtuosity in the history of American TV.”
Matt Zoller Seitz Swoons for “The Knick”

LA Times

“Filmmakers are pushing not just our cultural buttons but the edges of their own abilities.”
Mark Olsen Sees the “New Dangerous” at the Movies and He Likes It

NY Times

The Big Chill opened both the Toronto and New York Film Festivals; as a member of the New York festival selection committee that year, I can attest to how anxious the festival was to have it, even over my own metaphoric dead body.”
J. Hoberman on Criterion’s Big Chill Release; A Preference For That Era’s Ghostbusters Is Indicated

deadline

“I make a certain type of movie and I like my creative and financial freedom. We also want to live a life of rock stars.”
Nic Refn On His Doubts And Bravado Behind The Scenes

“There’s an incredibly narcissistic function of ‘I feel I deserve this kind of person at my side and as long as you’re willing to do the work to appear like that, yeah, let’s do it.’ And five years down the line it’s like, ‘Why are we so resentful of each other just ‘cos we can’t keep it up?’ When people are documenting everything in their life and uploading it, there’s a tendency to edit. There’s not a lot of people going: ‘Got up today, was lonely, masturbated.’”
Oh, David. You Know We Love You.

MCN Curated Headlines

liza antelo on: Farewell Andrea Gronvall, Critic, Journslist, ‘Siskel & Ebert’ Producer, Longtime MCN Contributor

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima