MCN Curated Headlines Archive for July, 2014

LA Times

“I’m a vehement opponent of adventure. Any idiot can go to Antarctica. And any idiot can climb Mount Everest. Even grannies have done it. There are thousands lining up. There is no adventure left.”
Mark Olsen Listens In On Werner Herzog As His 1970-1999 Blu-Ray Box Set Hits The Street
And – “When you look at the box set, it looks like a brick. Like a piece of rock; I can stand on this piece of rock.”

NY Times

“What a pleasure it is to watch a film showing life as it is, not warped into a fantasy of superhuman power. You can feast on such realism in Richard Linklater’s seven-course masterpiece, Boyhood, or sample it in Joe Swanberg’s modest but savory amuse-bouche, Happy Christmas. Both films are portraits of white middle-class American families, the first set in Texas and stretching over 12 years, the second during a single Christmas holiday in Chicago.”
Holden Emits A Quiet Rave

“The paradox is that Farocki is probably more important as a writer than as a filmmaker, that his films are more written about than seen, and that instead of being a failing, this actually underlines his significance to the cinema today and his considerable role in the contemporary political avant-garde.”
Harun Farocki, 70, Made Over 90 Films
And – Jonnie Rosenbaum On The Late Harun Farocki’s Films

“What was it like, I asked this very funny man, a man whose work, whose life, has shaped New York sensibilities for more than four decades, to have had your cataracts fixed recently.”
Roger Friedman Lobs Some Softballs At Woody Allen

wsj

“It’s a financial commitment, no doubt about it. But I don’t think we could look some of our filmmakers in the eyes if we didn’t do it.”
Coalition Of Studios May Keep Kodak Film Stock Alive

MCN Curated Headlines

Quote Unquotesee all »

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner

“Our business is complicated because intimacy is part and parcel of our profession; as actors we are paid to do very intimate things in public. That’s why someone can have the audacity to invite you to their home or hotel and you show up. Precisely because of this we must stay vigilant and ensure that the professional intimacy is not abused. I hope we are in a pivotal moment where a sisterhood — and brotherhood of allies — is being formed in our industry. I hope we can form a community where a woman can speak up about abuse and not suffer another abuse by not being believed and instead being ridiculed. That’s why we don’t speak up — for fear of suffering twice, and for fear of being labeled and characterized by our moment of powerlessness. Though we may have endured powerlessness at the hands of Harvey Weinstein, by speaking up, speaking out and speaking together, we regain that power. And we hopefully ensure that this kind of rampant predatory behavior as an accepted feature of our industry dies here and now. Now that we are speaking, let us never shut up about this kind of thing. I speak up to make certain that this is not the kind of misconduct that deserves a second chance. I speak up to contribute to the end of the conspiracy of silence.”
Lupita Nyong’o