MCN Curated Headlines Archive for April, 2014

“I was struck by the profound sense of self-loathing at the heart of all his work. It peeks through in small moments, in brief lines of dialogue. But it’s always there.”
Ebiri On “Why Adam Sandler Matters”

“Without advertising, our televisions and public spaces would be littered with art and useful information. I don’t know about you, but that’s not a world I want to live in.”
Onion To Give It To BuzzFeed And Upworthy In The ClickHole
And – Here’s The Click At The Hole

“It’s as if 51% of the population cried out in pain, and was suddenly silenced.”
“Hey ‘Star Wars,’ Where Are The Women?”

“What will prevent companies like Comcast from abusing this system is real competition in the home broadband market of the kind we see in the mobile marketplace.”
Jonathan Taplin On The Notion Of Two-And-More-Lane Internet Access Post-FCC Laydown

deadline

“The business of movies as a traditional business has been challenged on many levels and it’s not a growth business. TV is a growth business. Short-form content is a growth business. Movies are not a growth business. The stakeholders are trapped in an enterprise that can’t get out of its own way. For it really to grow it needs to break out of the windows that have existed for many generations. And I think that’s 10 years away.”
Hello, Mr. Katzenberg

MCN Curated Headlines

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“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham