MCN Curated Headlines Archive for February, 2014

“What’s most appealing about documentary is you get to reinvent it every time you make a film. If you’re gonna do the same thing over and over, why bother?”
Errol Morris Talks The Unknown Known

“Lawrence seems like a weird, idiosyncratic, charismatic human. She’s never polished; she’s always —-ing up.
Anne Helen Petersen Places Jennifer Lawrence In The Lineage Of “Cool Girls”

“For the next two weeks, I will work and get drunk with the country’s top directors, composers and film stars.”
Anna Broinowski Check$ In On North Korean Filmmaking

variety

“The film is inspired by the story of Noah. While artistic license has been taken, we believe that this film is true to the essence, values, and integrity of a story that is a cornerstone of faith for millions of people worldwide. The biblical story of Noah can be found in the book of Genesis.”
Noah Marketing Will Now Concede That There’s No Such Thing As A Movie That Reflects The Bible As Understood Differently By Millions Of Individuals

hollywoodreporter.com

“Girls”… In Outer. Space. In Outer. Space! 
Adam Driver To Be Baddie In Next “Star Wars”?

indie wire

“Likewise per usual at this juncture, my mind became crowded with questions, each one a pin ready to poke holes in what at first seemed like an easy decision.Through these factors, I’ve come to the realization that I don’t need to own a film to feel ownership of it.”
IndieWIRE Advises Readers To Buy Criterion At Retail, Not Via “Flash Sales”

“Today’s rooster is tomorrow’s feather duster. Pride does come before a fall.”
Catherine Martin Talks Style, Gatsby And Beyond

MCN Curated Headlines

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon