MCN Curated Headlines Archive for December, 2013

A Smorgasbord Of Cinematographic Know-How From Roger Deakins

“A writer who has refined his craft, sharpened his perceptions, and through them broadened his range of response and feeling discovering an artist whose work validates what he knows the medium to be capable of but so seldom is.”
Andrew Tracy Appreciates Late Critic Stanley Kauffman

“6. Direct distribution will make someone a millionaire this year.”
Brian Newman Makes 10 Predictions For Media In 2014

“The compiling of year-end top ten lists tends to reward mediocrity, suppress original vision, and [kill] independent thought. To cite Dave Hickey, there are far too many farmers in this industry, and not enough pirates. And it’s pretty damned agonizing to be a pirate in a farmer’s world; every which way I look the poisoned plants are sprouting up all around me.”
Peranson Presupposes Euphoniously

“To put it another way, The Wolf of Wall Street is like The Great Gatsby from Tom Buchanan’s point of view.”
“The Great Fratsby”

NY Times

Two Countries, Two Furores
The role of art “is to save the world, make it better, not to inflame the public with scandalous stories that have no cultural merit. Let’s hold tight to those principles and keep everybody safe.”
Pussy Riot: A Punk Prayer Banned Formally In Moscow

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Quote Unquotesee all »

“That’s the joke of Prune, that we just pretend to be a restaurant. But we’re actually an institute for living. We hide behind the fried eggs, and we hide behind the marrow bones, but really what we’re doing here is trying to change the whole goddamn world, one lamb chop at a time. It’s slow going, but I think we’re getting there.”
~ Gabrielle Hamilton

“I’m into pleasure rebellion,” she says, lighting a cigarette. “I’ve shared all my misery and tragedy but in my personal life I’m a cheerleader, an optimist. That aspect of myself is not shared. Once you are free from trauma, you are going to luxuriate in pleasure and happiness – personal pleasure. A divine gluttony, I should say.”
Lydia Lunch