MCN Curated Headlines Archive for October, 2013

“The new footage significantly deepens the film’s misogyny. Though that misogyny was already front and center in the original cut of The Exorcist, the new footage gives a much more comprehensive view of the film’s politics, and its particular take on patriarchal hegemony.”
Uh-oh, Billy Friedkin’s Done It Again

NY Times

“We are not setting policy for theaters across the country. We are one theater in the West Village, and we have adopted this policy for this one film.”
Los Angeles TV Protest Group Protests NYC’s IFC Theater Letting Teens Into Blue Is The Warmest Color; It’s What They Do

“Godard’s status today is precariously suspended between two conflicting fates: overblown iconicity and an almost abyssal and closed anonymity.”
Hoo-boy, Jean-Luc, You’ve Done It Now!

hollywoodreporter.com

“It looked great and it was interesting.”
Jason Schwartzman On SNL Spoof Of Wes Anderson

After 28 Years, Ender’s Game Blasts Out Of Development Hell
“Should Orson Scott Card’s extremism lead moviegoers to boycott Ender’s Game, which, after all, has nothing to do with gay rights?”
And – Mark Harris Demurs

“It marks the first time in history that our entertainment industry has managed to stare directly at slavery and maintain that gaze.”
David Simon On 12 Years A Slave

variety

“Chalk it up to the sangfroid of the characters and their stone-cold greed.”
Foundas Weighs The Greatness Of His Estimation Of Ridley Scott’s The Counselor

NY Times

“Like westerns and baseball films, movies about the experience of black Americans may be seen as too remote by audiences in countries that have little cultural connection to the subject matter.”
Cieply Sweats The Int’l Release Of 12 Years A Slave

MCN Curated Headlines

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner