MCN Curated Headlines Archive for March, 2013

“As in Korine’s other works, the evident lack of anything one might call “style” becomes its style, duly celebrated by our writers who seem to have lost their minds to Harmony’s [come]-on.”
Jon Jost On Getting A Refund For Spring Breakers

NY Times

“That would be an odd event if it happened.”
On Possible Changes During The Suddenly-Announced Oscar Enclave 

guardian

I don’t have to work now, but I have to work because it’s not about money, it’s about passion. It is part of my personal evolution.”
Salma Hayek’s Family Values

“Last week a friend saw a screening of Spring Breakers. Afterwards she tweeted that a fight almost broke out during the screening when a man shushed some girls, who then called him a —-. Afterwards, those girls chugged a two-litre bottle of cream soda and a 40 of vodka in the washroom.”
Canadian Journalism Unsubstantiated

NY Times

“This is Dawn taking the lead.”
Academy Rounds Up Members For Oscar Advice

hollywoodreporter.com

“A last resort for kinda-sorta-almost-journalists whose options have been severely limited by their extreme and intolerant views; a media colostomy bag.”
Jim Carrey Has Words For Fox News, Which Does Not Care For Him, Either

Spring Breakers is a crowd-pleaser, although given its confounding creepiness, the crowd it pleases most is surely the 40-year-old filmmaker’s intellectual fan base… Dunham has tapped into a vein of tragicomic sexual naturalism in which, as in the novels of Czech writers Milan Kundera and Ivan Klima, social constraint (here economic) makes sex, however messy, the lone arena of freedom.”
Hoberman On Spring Breakers And, Well, “Girls”

MCN Curated Headlines

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

Quote Unquotesee all »

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles

“Wise men build bridges, foolish men build barriers.”
~ T’Challa