MCN Curated Headlines Archive for February, 2013

“If you’re going to follow around somebody to murder, I’d much rather be photographing a woman than a man.”
Talking Blood With Brian DePalma

LA Times

“The Oscar in general is a blood sport,” Zadan said. “A lot of the TV press goes back year after year and complains about a traditional host, but if you have someone groundbreaking they complain about that.”
The Self-Canonizing And Further Self-Anointing Of Oscar Producers Aided By LAT

“And then Paul Schrader let me see The Canyons. “
DiGiacomo (AKA Who’s Left At Movieline) Has A Personal Santa Ana

“I don’t understand why I’m being asked whether it was 23 minutes (it definitely was not) or more [at LAX]. That is the wrong question. And I think Americans should be proud that there are people like Michael Moore and so many others I met in LA who are willing to ask the right question: why was I held in the first place?”
Oscar-Nominated Documentarian Emad Burnat Questions Buzzfeed’s Priorities 

“My conviction is that the main missing element in most depictions of jazz on film is musicians listening to one another.”
Jonathan Rosenbaum On Jazz And Film Criticism

“Hollywood’s not necessarily the most supportive community. There is a lot of schadenfreude and a lot of snark.”
VICE Ventilates The Canyons

wsj

“It was made without any Canadian consultation. And we can live with that. But at the same time the ‘Canadian community,’ felt we played a larger and more active role than that which was portrayed in the movie.”
Former Canadian Ambassador Says “Canadian Caper” Should Have Been More About Canada And Less About Argo

“The next morning, right before she got in her car to head off to work, my wife turned back and—standing there on our front steps—and said, ‘Ang, don’t forget your dream.’”
Ang Lee On How He Stayed On His Path

MCN Curated Headlines

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Feature films are suffering a kind of bad time right now, in my opinion, because the feature films that play in theaters are blockbusters. That seems to fill the theaters, but the art-house cinema is gone. If I made a feature film, it might play in L.A. and New York, a couple of other places, for a week in a little part of a cineplex, and then it would go who knows where. I built this to be on the big screen. It will be on a smaller screen, but it’s built for the big screen. You want a feature film to play on a big screen with big sound, and utilize all the best technology to make a world. It’s really tough after all that work to not get it in the theater. So I say that cable television is a new art house, and it’s good that it’s here.”
~ David Lynch

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert