MCN Curated Headlines Archive for December, 2012

indie wire

In 2013, I’ll write more reflection and less prediction.”
So Sooth Singer

“Eventually, all the assets are expected to be sold, according to the new owners.”
TribCo To Emerge From Bankruptcy Monday; Focus On Broadcasting Expected

“We’ve taken care of the problems that have drug AICN down… I honestly miss the simplicity of the hard HTML pages I used to upload to an FTP.”
Ain’t It Cool News Changes Its Comment System But Still Brandishes 1996 Geocities Page Design

Salon

“Reducing the debate to MSNBC vs. Fox News partisan politics, or discussions about what kind of intelligence gathering yielded which results, strikes me as reductive tribal thinking. The debate about Zero Dark Thirty opens up all kinds of other overlapping questions of fact and interpretation–and also about the uses and limitations of art, and the powerful responses it provokes–that do not yield clear answers.”
O’Hehir On The Purists, Puritans And The Rending Of Hairshirts

wsj

“You really have to suspend disbelief for this movie… Samuel L. Jackson plays himself.”
Ishmael Reed On A Mess Of Movies He Loathes, Sometimes Django Unchained

MCN Curated Headlines

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

James Brigham (Bigg) Bunyon on: "The Not-So-Glossy Future of Magazines"

Quote Unquotesee all »

“You think you know something, don’t you? You think you’re the clever little girl who knows something. There’s so much you don’t know, so much. What do you know, really? You’re just an ordinary little girl, living in an ordinary little town. You wake up every morning of your life and you know perfectly well that there’s nothing in the world to trouble you. You go through your ordinary little day, and at night you sleep your untroubled ordinary little sleep, filled with peaceful stupid dreams. And I brought you nightmares. Or did I? Or was it a silly, inexpert little lie? You live in a dream. You’re a sleepwalker, blind. How do you know what the world is like? Do you know the world is a foul sty? Do you know, if you rip off the fronts of houses, you’d find swine? The world’s a hell. What does it matter what happens in it? Wake up, Charlie. Use your wits. Learn something.”
~ Shadow Of a Doubt, by Alma Reville, Thornton Wilder, Sally Benson

“Ophüls is my hero when it comes to blocking the actors and blocking the camera and the dance they do together. He’s just the best. By the way, have you seen The Post? I’d say Steven Spielberg is as good with the camera as anybody in film history. I saw it the other day, and I couldn’t believe how good he is at dealing with a lot of people in that small a space. He’s got ten people in a living room, and everybody’s moving around, and everything seems natural, and the camera’s dancing around them, and that thing is a miracle of staging and camerawork. I can’t wait to see it again, to really look under the hood and watch how he did it.”
~ Paul Thomas Anderson