MCN Curated Headlines Archive for December, 2012

indie wire

In 2013, I’ll write more reflection and less prediction.”
So Sooth Singer

“Eventually, all the assets are expected to be sold, according to the new owners.”
TribCo To Emerge From Bankruptcy Monday; Focus On Broadcasting Expected

“We’ve taken care of the problems that have drug AICN down… I honestly miss the simplicity of the hard HTML pages I used to upload to an FTP.”
Ain’t It Cool News Changes Its Comment System But Still Brandishes 1996 Geocities Page Design


“Reducing the debate to MSNBC vs. Fox News partisan politics, or discussions about what kind of intelligence gathering yielded which results, strikes me as reductive tribal thinking. The debate about Zero Dark Thirty opens up all kinds of other overlapping questions of fact and interpretation–and also about the uses and limitations of art, and the powerful responses it provokes–that do not yield clear answers.”
O’Hehir On The Purists, Puritans And The Rending Of Hairshirts


“You really have to suspend disbelief for this movie… Samuel L. Jackson plays himself.”
Ishmael Reed On A Mess Of Movies He Loathes, Sometimes Django Unchained

MCN Curated Headlines

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“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon

“A lot of us felt blindsided,” Van Vliet told me. In the seventies, Van Vliet was drafted out of film school by Industrial Light & Magic, where he worked on The Empire Strikes Back and Raiders of the Lost Ark. Now 62 and semi-retired, he said, “Once you get into your fifties, you’re pretty disposable.” Van Vliet was in the middle of reviewing DVD screeners before casting his Oscar votes, a process he estimated would take a hundred and twenty hours. “The Academy is essentially asking us to give them three weeks of labor, and then they’re going to take our results, put them into a ceremony, and sell it,” he said, referring to the seventy-five million dollars that the organization earns from the television broadcast. “Then they’re turning around and kicking us in the teeth.”
~ “Shakeup At The Oscars”