MCN Curated Headlines Archive for August, 2012

“Social distance can cause a 55-year-old climate change sceptic with a job and a mortgage to behave like a spastic donkey with strange malicious behavior.”
What Do The Internet’s Extreme Trolls Get From Their Private Sport?

indie wire

“You don’t see Eamonn at Magnolia, you don’t see us—the two pioneers in the changing of the windows—coming out and reporting our numbers on a weekly basis. Magnolia and IFC Films invented the wheel five or six years ago.”
IFC’s Sehring On The VOD-Theatrical Business Model, As Well As A Recut Of On The Road

“He loved actors. He loved us! The reason his death hurts so much isn’t because we loved him. It’s because he loved us. And now he’s gone. And who’s going to love us like that now? Can you tell me? In this cold, unforgiving business, who is going to love actors as much as Tony Scott did?”
Kevin Corrigan Remembers Tony Scott

hollywoodreporter.com

“Sign it! Sign it, or the dog will die!”
Joyce McKinney’s Alarming Tabloid Lawsuit Vs. Errol Morris 

“Current laws on all forms of pornography and obscenity need to be vigorously enforced.”
GOP Platform Sets Sights On Porn

NY Times

“His surfing was competent, but it wasn’t his surfing that made him distinctive. It was his personality.”
Tubesteak Tracy, 77, Surfer Inspired Gidget‘s Big Kahuna

“After doing a TV show for eight years and a cartoon for more than a decade, you are, financially speaking, in a very lucky position where you don’t have to work for the sake of working.”
Mila Kunis And James Franco Have Interview Mag Cover Story Chat

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Quote Unquotesee all »

“That’s the joke of Prune, that we just pretend to be a restaurant. But we’re actually an institute for living. We hide behind the fried eggs, and we hide behind the marrow bones, but really what we’re doing here is trying to change the whole goddamn world, one lamb chop at a time. It’s slow going, but I think we’re getting there.”
~ Gabrielle Hamilton

“I’m into pleasure rebellion,” she says, lighting a cigarette. “I’ve shared all my misery and tragedy but in my personal life I’m a cheerleader, an optimist. That aspect of myself is not shared. Once you are free from trauma, you are going to luxuriate in pleasure and happiness – personal pleasure. A divine gluttony, I should say.”
Lydia Lunch