MCN Curated Headlines Archive for June, 2012

guardian

“We are satisfied that the animals won’t now end up in an abattoir and that much more attention is now being paid to their welfare.”
Danny Boyle Assures PETA The Olympics Opener Will Be Kind To The Animals

NY Times

“Mr. Baldwin possesses what you might call the salutary egotism of avid living, as opposed to the rotten narcissism of amoral grasping and mistreatment of other people.”
Lee Siegel Elucidates His Alec Baldwin Issues For The Fashion Section

“Back to business as usual, which means being crabby about Cannes and printing long articles about filmmakers nobody has heard of.”
A Genial Editor’s Letter From Cinema Scope’s Mark Peranson 

“I loved whoever was making these actresses comfortable enough to express the minutiae of being a human woman onscreen.”
Lena Dunham Remembers Nora Ephron

“It’s all about the truth. It’s really about how important searching for the truth is, and how digging for the truth then is different than it is today.”
Redford Talks Watergate To Sean Means

NY Times

“She could get a little wry about the more self-obsessed aspects of the movement at its height, like the meetings where everyone was required to bring mirrors and examine their private parts.”
Times Adds Gail Collins To Its Many Cooks In Nora Ephron’s Kitchen

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

“Sinclair Broadcast Group executives reprimanded and ultimately ousted a local news reporter who refused to seed doubt about man-made climate change and “balance” her stories in a more conservative direction.Her account, detailed in company documents, offers a glimpse at the inner workings of a media giant that has sought to both ingratiate itself to Trump and cast itself as an apolitical local news provider — a position the documents undermine…”

Members of Legally Embattled Netanyahu Gov’t And Ruling Party Attack Natalie Portman, With One Member Who Is Expelled From Knesset Calling For Her Israeli Citizenship To Be Revoked

Future British Film Tax Subsidies Under Labour Would Require Diversity Hires

Anthony Swofford Suggests “Full Metal Jacket Seduced My Generation and Sent Us to War”

“Music is not a subsidiary, luxury, minor industry for the United Kingdom. We are the second biggest provider of music to the world after the US. Music is of enormous benefit to us as a country. That is a fact, not an opinion. Nor is it special pleading. For a modern, developed country to deliberately, willfully strangle one of its lead exporters [through “Brexit”] is bordering on insane. Indeed, the Creative Industries as a whole are the fastest-growing sector in our economy, worth last year just under £100 billion to our national coffers.”

“For too long film critics have focused on the drugs actors and directors are taking, when they should be looking at the audience.”

Emily Nussbaum on “Roseanne”

“Where Countries Are Tinderboxes and Facebook Is a Match”: A Look At Sri Lanka, Where Facebook Pits Muslim Against Buddhist In Murderous Fervor

Anthony Hopkins

Claire Denis

Quote Unquotesee all »

“If there are theories about me, I’d rather not know. Astrophysics – now that’s fascinating. String theory, worm holes, the expanding universe, the Big Bang versus the Big Bounce – those are the kind of theories that make you feel like living and understanding the mystery of the world. Film theory is just a pain in the ass.”
~ Claire Denis

“I had a knockoff Michael Kors bag that said MLK instead of MK. Jada told me that I shouldn’t have knockoff stuff. I told her that my philosophy is, Whatever the bag costs, I should be able to keep that amount of cash in the bag. If it’s a $300 purse, I have to put $300 in cash in that purse. I do not want a bag that is more expensive than the cash I have to put in it. Things are going good for me now, so I am graduating to your Fendis and your Guccis. But I better have the cash equivalent, or I’m not buying the purse. And if things start to go wrong, I’m going right back to my knockoffs. When you’re somebody like me, who’s been homeless, clothes are not that important. Clothes are not a roof over my head, food in my ­stomach, my family’s health—that’s what money is for. But fashion helps get more money. So, we ride.”
~ Tiffany Haddish