MCN Curated Headlines Archive for April, 2012

NY Times

“The price of corporate sponsorship shouldn’t be silence, but really an opportunity for greater engagement.”
Note Made Of Tribeca Film Festival Partner Brookfield Office Properties And Its Anti-Occupy, Anti-First Amendment Activities
And – Tribeca Announces Award Winners And Cash Prizes

“When it gets time to sort of get the funding together and direct people do you, like, sprout another head and suddenly turn into an —hole?”
When David Carr Met Todd Solondz In Sarasota

MCN Curated Headlines

Writer-Director Brian McGuire Remembers Times With Harry Dean Stanton On Four Movies

“Sometimes I’ve been asked to break the movies up but they wouldn’t work. They have very carefully thought-out dramatic structures. If, for instance, I made Ex Libris into three movies it wouldn’t work. It would be a different movie because each time I’d have to start all over again and establish the characters, the place, the interrelationship with the themes would be impossible to explore. In addition, sometimes the films are long, but they’re long not out of any perverseness on my part but because the subjects are complicated. I have a greater obligation to the people who gave me permission to make the film and the people in the film, than I do to the needs of a theater or television chain. I’m grateful to public television because they always show my films as I made them without any interference for primetime.”

Jennifer Swann On “The Rise And Fall Of Cinefamily”

Dennis Cozzalio On A Dim And Distasteful AMC Theater Saturday Night

Netflix: Helping Stand-Up, Or Hurting It?

Aronofsky Makes With The Metaphors

Angelica Jade Bastién On Mother! And Michelle

“Aronofsky offers, in Mother!, a report from the realm of art, of male artists, and both reveals and admits that many of them draw their artistic and personal sustenance from the blood of young women—that their art and also their domestic comfort depends on their virtual vampirizing of adoring young women who are attracted to their talent, their fame, their experience, perhaps even their money, but whose love is nonetheless utterly sincere and whose devotion is nonetheless utterly unselfish and ultimately proves far more self-sacrificing than they had ever intended.”

Lachlan Murdoch Loses Court Bid For CBS Buy Of Australian’s Third-Largest Commercial Network

“Two years after the first best actress in a drama Emmy was awarded to a black woman shouldn’t be the year you pat yourself on the back. Especially not when Lena Waithe on Sunday was the first black woman to win an Emmy for best writing in a comedy. Or a night when Donald Glover was the first black male to win for comedy directing. Or a night where Riz Ahmed was the first male actor of Asian descent to win an acting Emmy. When we’re still in a business of firsts, you can keep your congratulations and you can keep your jokes about diversity, too. Sunday’s host, Stephen Colbert, followed in the footsteps of many white awards-show hosts who love making jokes about diversity to a room where there’s less black people in it than Williamsburg.”

Quote Unquotesee all »

“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton