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MCN Curated Headlines Archive for March, 2012

NY Times

“You can say no. You can not be the object of ridicule.”
Peter Dinklage On Making The Right Choices

indie wire

“If we can’t agree that folks who quietly flouted Prohibition in private (or who smoke weed at home today, for that matter) weren’t (aren’t) evil-enabling scumbags, then there’s just no common ground here.”
D’Angelo Doubles Down Against Those Who Say He Shouldn’t Download Movies Illegally

NY Times

“This Disney Theatrical Productions adaptation of the 1992 Disney movie musical is made up largely of numbers that feel like blazing banner headlines. And if none of them quite match the immortal panache of the New York Post classic ‘Headless Body in Topless Bar,’ you have to give their creators points for consistency.”
“Newsies”: The Pan

wsj

“If your kid comes out of the bedroom and says he just shut down the government, he should have an outfit for that.”
Some Quality Time With John Waters

nymag

“Seems every competitor and enemy piling on with lies and libels. So bad, easy to hit back hard, which preparing.”
Rupert Murdoch Takes Case To Twitter

MCN Curated Headlines

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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