MCN Curated Headlines Archive for February, 2012

LA Times

“(the full title is unprintable in this newspaper)”
The LAT On B*ing Fl*nn‘s Original Title, “Another Bullshit Night In Suck City”

NY Times

“He didn’t believe in flat light or just bright, Rexall drugstore lighting, which a lot of times you can get if you get somebody that isn’t very imaginative.”
Cinematographer Bruce Surtees, 74, Shot Play Misty For Me, Lenny, Night Moves, Beverly Hills Cop

“She was merely doling out the screenplay awards, but her pose bore a definite, don’t-f—-with-me trace of the gunslinger, and so it was, across the time zones, that a billion people sat there with their hands up: Freeze.”
Anthony Lane Deigns To Condescend To Oscar (But Not Angelina)

MCN Curated Headlines

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“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall