MCN Curated Headlines Archive for January, 2012

hollywoodreporter.com

“Outright lies spread by Google and other technology companies whose business models are made all the more profitable if the work of the people in this room is stolen, made available on the Internet for free.”
Taylor Hackford Has Some Words At The DGA Awards

“The snobs have taken over the Academy asylum.”
Gleiberman Claims Oscar Is “Elite” And Not About The Audience

Sundance 2011 Awards
Best Dramatic: Beasts Of The Southern Wild
Best Doc: House We Live In
Best Directing: Queen Of Versailles, Middle Of Nowhere
Audience:  Surrogate, Invisible War
Cinematography: Chasing Ice, Beasts Of The Southern Wild
Waldo Salt:  Safety Not Guaranteed
and more

NY Times

“I heard one industry type wonder aloud if Hushpuppy was ‘retarded or just black and poor.’ Happily for that fool, the festival was dominated by the familiar complement of drifty and droopy white young things.”
Dargis Just Wild About Beasts Of The Southern Wild

“We may replace past names associated with your Google Account so that you are represented consistently across all our services. In short, we’ll treat you as a single user across all our products.”
The Dark Implications Of Google’s Merger Of Private Data From All Its Services

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

What’s Steven Soderbergh’s The Laundry All About? A Mossack Fonseca And Panama Papers Primer

Chicago’s Music Box Theatre posts its digital library of film calendars back to 1983

I Pain Moviehouses: Theater Chains Still Resist The Irishman

Petit on Radio On

“In the next few years, empires will rise and crumble. Heroes will arise and reputations will be destroyed in the greatest clash of content civilization has ever seen. Maybe they’ll all lose! With a thousand models and paths to victory, it’s entirely possible that everyone is wrong. Now, that would be entertainment. It’s a terrifying time to be an executive, but a great time to be a viewer. And an even better time to be an industry watcher as the carnage begins.”

Animating No Time To Die

“Harvey Weinstein, the once-powerful movie mogul who put Manhattan’s skyline in the Miramax logo, wants his trial on sexual assault charges moved out of New York City, arguing that the intense media scrutiny makes it impossible for jurors to give him a fair trial.”

“There’s an impatience now to be entertained – to be fed with plot in a fast way,” González Iñárritu said. “Everything has to be clear, understandable, global, like a Coca-Cola commercial. It has to please everybody because it’s a world product, and you cannot deal with that fucking thing.The possibilities to experiment and explore are gone because TV demands guaranteed globality that everybody understands. That is changing the stamina and motivations of young writers and filmmakers. Cinema – the inspiration, that’s a jewel – it’s probably going to disappear.”

Isabelle Huppert Says More Women Should Head Film Fests

“Matrix 4″ A Go With Lana Wachowski Producing, Directing; Script by Wachowski, David Mitchell, Aleksandar Hemon

Quote Unquotesee all »

“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

Bing!

One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump