MCN Curated Headlines Archive for November, 2011

guardian

“I suppose when I was writing ‘V for Vendetta’ I would in my secret heart of hearts have thought: wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world… It’s peculiar. It feels like a character I created 30 years ago has somehow escaped the realm of fiction.”
Alan Moore On That Newly-Ubiquitous Mask

hollywoodreporter.com

Tom Hardy Talks DKR Battle Royale…But To Whom?
Because - In 2011, Does Keeping An Exclusive To Your Print Magazine Mean That Content Theft Of That Print Content By Online Entities Is Okay?
The Actual Source Of The Now-Oft-Ripped-Off Content

“For 13 years I sat in a rented room. The phone didn’t ring. That’s a humbling, lonely, exhausting, disgusting, terrible place to be. I thought the dance was over, but I wasn’t going to give it up. I went to the psychiatrist, I kept going to the gym, I kept thinking, ‘Okay, tomorrow I’m going to turn it around’.”
More Rourke Raillery

“What is the state there for unless it is there to help us in the social sphere and the sphere of culture?”
Aleksandr Sokurov’s “Faustian” Pact With Putin

NY Times

“I really surprised myself. You know that scene in Star Wars? Luke and Solo—I don’t even know their names—are about to be squashed in that thing. That’s what I felt like every day on the set. Like I was being pressed up against the wall of my own abilities.”
Cathy Horyn Mash-Notes Lunch With Michelle Williams

NY Times

“The searing images of that day were dictated by Mr. Wicker from a phone booth in stark, detailed prose drawn from notes scribbled on a White House itinerary sheet. It filled two front-page columns and the entire second page.”
Tom Wicker, 85, Only NYT Journalist In Dallas When JFK Assassinated; Became DC Bureau Chief And Op-Edder

“People don’t live on top of each other in apartments. There’s a house every mile and a half apart, and you’re in four feet of ice. It’s unbelievable. There’s a reason this doesn’t take place in Cleveland.”
Fincher On Dragon Tattoo‘s Location

“I wish I could brand the movies in a way so they would just look at the page and trust me rather than a critic or anything else.”
AP: “Harvey Weinstein Seeks To Raise Company’s Profile”

MCN Curated Headlines

Quote Unquotesee all »

“The effect of the avalanche, and Tomas’ refusal to acknowledge his terror, seem to have devastating effects. But the interesting thing about Force Majeure is the sly suggestion that maybe this event could have a liberating effect on the family.”
~ Robert Horton 

 “Teaching how to make a film is like trying to teach someone how to fuck. You can’t. You have to fuck to learn how to fuck. It’s just how it is. The filmmaker has to protect the adventurous side of their self. I’m an explorer, I’m an inventor. Doc Brown is the character I relate to the most and he’s a madman. He’s a madman alone, locked up with his ideas but he does whatever he wants. He makes what he makes because he wants to make it. Yes, the DeLorean has to work in order for him to be a madman with a purpose—the DeLorean should work—but the point is I think everyone should try and find their own DeLorean. When Zemeckis was trying to get Back To The Future made, which he was for seven years, he was trying to get a film made where basically a teenager gets in a time machine, goes back to 1954 and almost —-s his mother. That pitch is extremely subversive and twisted in a way. My point is, he had a fascinating idea that no one had done before, but was clearly special to him and he stuck to it and made it what it was. When you do that you can create culture, but I think a lot of movies are just echoing culture and there’s a difference.”
~ A Girl Walks Home Alone At Night Filmmaker Ana Lily Amirpour