MCN Curated Headlines Archive for November, 2011

guardian

“I suppose when I was writing ‘V for Vendetta’ I would in my secret heart of hearts have thought: wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world… It’s peculiar. It feels like a character I created 30 years ago has somehow escaped the realm of fiction.”
Alan Moore On That Newly-Ubiquitous Mask

hollywoodreporter.com

Tom Hardy Talks DKR Battle Royale…But To Whom?
Because In 2011, Does Keeping An Exclusive To Your Print Magazine Mean That Content Theft Of That Print Content By Online Entities Is Okay?
The Actual Source Of The Now-Oft-Ripped-Off Content

“For 13 years I sat in a rented room. The phone didn’t ring. That’s a humbling, lonely, exhausting, disgusting, terrible place to be. I thought the dance was over, but I wasn’t going to give it up. I went to the psychiatrist, I kept going to the gym, I kept thinking, ‘Okay, tomorrow I’m going to turn it around’.”
More Rourke Raillery

“What is the state there for unless it is there to help us in the social sphere and the sphere of culture?”
Aleksandr Sokurov’s “Faustian” Pact With Putin

NY Times

“I really surprised myself. You know that scene in Star Wars? Luke and Solo—I don’t even know their names—are about to be squashed in that thing. That’s what I felt like every day on the set. Like I was being pressed up against the wall of my own abilities.”
Cathy Horyn Mash-Notes Lunch With Michelle Williams

NY Times

“The searing images of that day were dictated by Mr. Wicker from a phone booth in stark, detailed prose drawn from notes scribbled on a White House itinerary sheet. It filled two front-page columns and the entire second page.”
Tom Wicker, 85, Only NYT Journalist In Dallas When JFK Assassinated; Became DC Bureau Chief And Op-Edder

“People don’t live on top of each other in apartments. There’s a house every mile and a half apart, and you’re in four feet of ice. It’s unbelievable. There’s a reason this doesn’t take place in Cleveland.”
Fincher On Dragon Tattoo‘s Location

“I wish I could brand the movies in a way so they would just look at the page and trust me rather than a critic or anything else.”
AP: “Harvey Weinstein Seeks To Raise Company’s Profile”

MCN Curated Headlines

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

tidalmediainc on: Black Panther: $387 Million Worldwide

Frances Aubrey on: David Klion On “Unlearning Woody Allen”

Ray Pride on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

YancySkancy on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Debbie on: 2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

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“This is momentous. I think it is the true beginning of the crumble of the patriarchy. We’ve been living under it for centuries, and I don’t think this would’ve been possible in any earlier period in history. I think all of the baby steps that we’ve taken toward getting more women in positions of power — cinematographers that are women, and actresses who develop their own projects, and studio heads that are women — I mean, it was always one at a time, but it’s been slowly building. I think what’s happened now, it’s like, “Okay, the jig’s up, folks. You’re not going to get away with it. I’m not going to protect you if you treat me badly or disrespectfully.” We now have a woman cinematographer nominated for an Oscar, finally, in 2018. Finally. We’ve had a woman director win an Oscar. So it’s baby steps, but now I think it’s going to change drastically. Plus, I mean, look at Wonder Woman. Wonder Woman was a great movie. It was beautiful and it made a lot of money, which is what talks, of course, in this industry. So I think we’ll be seeing more women in positions of power.”
~ Ellen Burstyn

“I read an amazing thing online recently, from the poet e. e. cummings. I really like him as a poet and there was this great quote at the top of the page: “To be nobody but yourself in a world which is doing its best night and day to make you everybody else means to fight the hardest battle which any human being can fight.” That’s given me a lot of inspiration, those words and those ideas… Because we are constantly told to not be what we actually, in fact, naturally are.”
~ Andrew Garfield