MCN Curated Headlines Archive for November, 2011

guardian

“I suppose when I was writing ‘V for Vendetta’ I would in my secret heart of hearts have thought: wouldn’t it be great if these ideas actually made an impact? So when you start to see that idle fantasy intrude on the regular world… It’s peculiar. It feels like a character I created 30 years ago has somehow escaped the realm of fiction.”
Alan Moore On That Newly-Ubiquitous Mask

hollywoodreporter.com

Tom Hardy Talks DKR Battle Royale…But To Whom?
Because In 2011, Does Keeping An Exclusive To Your Print Magazine Mean That Content Theft Of That Print Content By Online Entities Is Okay?
The Actual Source Of The Now-Oft-Ripped-Off Content

“For 13 years I sat in a rented room. The phone didn’t ring. That’s a humbling, lonely, exhausting, disgusting, terrible place to be. I thought the dance was over, but I wasn’t going to give it up. I went to the psychiatrist, I kept going to the gym, I kept thinking, ‘Okay, tomorrow I’m going to turn it around’.”
More Rourke Raillery

“What is the state there for unless it is there to help us in the social sphere and the sphere of culture?”
Aleksandr Sokurov’s “Faustian” Pact With Putin

NY Times

“I really surprised myself. You know that scene in Star Wars? Luke and Solo—I don’t even know their names—are about to be squashed in that thing. That’s what I felt like every day on the set. Like I was being pressed up against the wall of my own abilities.”
Cathy Horyn Mash-Notes Lunch With Michelle Williams

NY Times

“The searing images of that day were dictated by Mr. Wicker from a phone booth in stark, detailed prose drawn from notes scribbled on a White House itinerary sheet. It filled two front-page columns and the entire second page.”
Tom Wicker, 85, Only NYT Journalist In Dallas When JFK Assassinated; Became DC Bureau Chief And Op-Edder

“People don’t live on top of each other in apartments. There’s a house every mile and a half apart, and you’re in four feet of ice. It’s unbelievable. There’s a reason this doesn’t take place in Cleveland.”
Fincher On Dragon Tattoo‘s Location

“I wish I could brand the movies in a way so they would just look at the page and trust me rather than a critic or anything else.”
AP: “Harvey Weinstein Seeks To Raise Company’s Profile”

MCN Curated Headlines

Warren on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Amazing GBG on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Roy Batty on: "Whatever it is that people are reacting to in these superhero films, it’s not what they say they’re reacting to. They clearly don’t care about consistent characterization, original storytelling, or anything else they say they do, because if they did they’d be a lot more picky. What they really like is what we all like: confidence. Movies boil down to someone – or a group of someones – telling us a story. And telling a story well takes confidence. If a storyteller has a great story packed with interesting characters and exciting developments but they stumble over the order of things and mumble during the important bits, the experience is going to suck. Likewise, if the story is poor but they tell it well it’ll be a good time even if afterwards we realize it didn’t make any sense."

Ray Pride on: 19 For Your Consideration Screenplays Await

Tom Spath on: 19 For Your Consideration Screenplays Await

James Brigham (Bigg) Bunyon on: "The Not-So-Glossy Future of Magazines"

Ray Pride on: Telluride Fest Looks Back At 44

Jose Angel Cruz on: Telluride Fest Looks Back At 44

I am Groot on: Enjoy Your Groot Soundboard

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant