MCN Curated Headlines Archive for November, 2011

NY Times

“I believe in what I’m doing wholeheartedly, passionately, and what’s more, I simply go about my business. I suppose such a thing can be annoying to some people.”
Dennis Lim Obits Ken Russell

LA Times

“I believe in the things I make. The fact that God doesn’t want me to make them is beside the point.”
Hard-Luck Kid Terry Gilliam Turns 71

telegraph.co.uk

“There’s not a lot of films I’d watch that are made over the past 20 years, because I’m much more of a romantic.”
Spielberg Sez Not Many Good Movies Made Anymore

“What seems grossly unfair is there doesn’t seem to be any adult supervision looking out for the average investor like myself. You have unemotional, ruthlessly efficient and litigious investors attempting to extract whatever they can from whomever they can.”
Bankrupt TribCo’s Creditors Set To “Claw Back” Bucks From Even Smallest Past Investors

NY Times

“He is playing to the movie industry’s wobbly sense of self, exactly at a time when it is fretting about declining attendance, weak economics and constant pressure from other media.”
Together Again For The Very First Time! Weinstein As Seen By Cieply!
And – “I told my girls that I have a weakness for movies about the creative process.”
Harvey Blogs Freely At HuffPo

telegraph.co.uk

“I have a career that’s sort of stacked up behind me, and if I was once guilty of that sin of doing too much, which seems rather vulgar in British eyes, it can be forgiven if a few conspicuous failures and kickings pile up. So you go through the hubris and schadenfreude and out the other side. And there’s a whole bunch of people coming up behind you who are the next lot to annoy.”
Kenneth Branagh Likes To Think The Public No Longer Detests Him

“It’s one of the great performances in my 50 years of movie-going.”
Vanity Fair Film Cricket Paul Mazursky Chirps For Michelle Williams’ Marilyn

My Lovely Teacher… It’s Never Too Late… Larry Crowne – Smile of Fate”
2011 US Releases Get Refreshing Titles Elsewhere

Oscar? “It’s the greatest Good Housekeeping seal in the world. It’s the greatest brand. It’s as good as Louis Vuitton and Dior in the world of moviemaking. It’s the Super Bowl. It’s just greater than all the above.”
Rocchi Gets On The Blower With Harvey

“We kept all the KEMs and the Moviolas, and we kept all the white gloves, we kept the Scotch tape. We’ve still got a couple million feet of sound leader, sound film standing by for us.”
Spielberg On Digital Editing

NY Times

“A previous version of this article incorrectly spelled the name of Alfred Hitchcock.”
Rafferty Would Like To Point Out That A Dangerous Method’s Mad Character Would Have To Be A Woman, Wouldn’t She?

LA Times

“Everything in the Philip K. Dick world is complicated”
Even The Rights To Adapt His Work

MCN Curated Headlines

The Hobbit: Battle of the Five Armies

Quote Unquotesee all »

“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies