MCN Curated Headlines Archive for November, 2011

110 Features From 31 Countries
88 World Premieres
46 First-Timers
4,042 Feature Submissions
Sundance 2012 Announces Films In Competition

BBC

“We have to react against the theme park film, as well made as they are, and as enjoyable as some of them are.”
Marty Says: Don’t Take The Ride

Early Voters Give Out Only One Award For A Film Not Seen Or Released By October 1
NYFCC Announces The Early Winners

The Artist vs The Descendants is the story in another year of all big indies duking it out
Indies Spirit Noms Announced

“The film must be refused classification because it contains gratuitous, exploitative or offensive depictions of violence with a very high degree of impact and cruelty which has a high impact. Films classified RC cannot be sold, hired, or advertised in Australia.”
Oz Censors Refuse Human Centipede 2‘s Refuse

“Much of the drama emerges through the interstices of the tensely unfolding scenes of emotional writhing and indecision; the sixty-nine-minute sketchbook implies a novelistic amplitude of experience.”
Sounds Like Richard Brody Likes What’s Likely 2011′s Last Joe Swanberg Joint

MCN Curated Headlines

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“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award