MCN Curated Headlines Archive for October, 2011

“This is not a bill that targets ‘rogue foreign sites.’ Rather, it allows patent and copyright trolls, and any holder of any intellectual property right to target lawful U.S. websites and technology companies.”
NetCoalition, CEA, and CCIA Respond To Members Of Congress On “Stop Online Piracy Act”

NY Times

“What if the price of having a vital, well-financed string of newspapers included rare, but inevitable, sexual predation of minors?”
David Carr Takes A Swing With His Backpages.Com Lede

LA Times

“There’s this impression of Joe going around that he tricks girls into engaging in these sexual situations in his movies, and I feel like that’s just not giving the girls much credit.”
Indie-Focusing The Prolific Joe Swanberg, With 3 Films At AFI Fest

“Make a few demands/ I’m able to fulfill.”
Rhymin’ Steve Sondheim On His Memoiristic Reticence

“In the beginning, there were certain things I missed. In Hollywood, there’s the connection with the people who finance the films because you lunch or dine with them, whereas here, you never see them. Other than that, I miss friends. I miss Nate ‘n Al Delicatessen.”
Roman Polanski Waxes Nostalgic

“Most of the big films now are either end-of-the-world epics, comics or action sequels. Most of the work for real cameras is in second unit, and the rest is done with CGI. It’s not great work for filmmakers.”
Cinematographer John Seale Waxes Nostalgic

NY Times

“Even as a feminist, my whole life I’d been waiting for a man to love, who could love me. For decades, I’d thought that man would be my father. When I was 25, I met that man and he was my brother.”
A Eulogy For Steve Jobs, By His Sister, Novelist Mona Simpson

telegraph.co.uk

“Putting it very simply, Saul was a great film-maker.”
Scorsese On Saul Bass

When I was just a little girl
I asked my mother,
what will I be
Will I be pretty, will I be rich
Here’s what she said to me:
LA Film Critics Ass’n 2011 Life Achievement Award To Doris Day

“You don’t have to put on the red light”
The Epic End As Library Of Congress Dims Its Darkrooms

MCN Curated Headlines

Troy on: Jan-Michael Vincent Was 73

eht% on: Kubrick by Weegee

Thawn Chwithy on: Topix Forums Deep-Nixed

Some Random Troll on: Topix Forums Deep-Nixed

Trenton Moore on: Philadelphia Film Critics Circle Nod Roma as Best Film, Cinematography and Foreign Film

Celia Ann Harrison on: Topix Forums Deep-Nixed

Celia Ann Harrison on: Topix Forums Deep-Nixed

Karen Christy on: Topix Forums Deep-Nixed

The Pope on: "ABC’s decision to cancel 'Roseanne' feels like a gutsy move. It looks like a stand against racism, a line drawn in the sand to delineate what is reasonable and what is not. It even looks like a data point in the 'How do we separate the art from the artist?' debate, and it offers a heartening answer: We don’t have to, because, in this case, ABC will not finance that artist. It’s somehow even more heartening because it comes from a massive corporate conglomerate that might lose money by making this decision. It feels remarkably just. It feels decent. I’m thrilled that Roseanne has been canceled. It was the right thing to do. But it doesn’t feel correct to hold up ABC as a new bastion of decency, either. 'Roseanne' felt like the Titanic, a ship that seemed too big to turn around — but in the aftermath of Barr’s tweet, it also seemed like a ship that was doomed. ABC’s decision to cancel Roseanne is a good thing, but it also seems like a decision to shut down something that was about to implode anyhow. With a little more context, it looks like a network taking a strong stance against racism… in a way that also rids them of a show that was about to fall apart anyhow."

Sergio on: "Even though the Marvel series are TV shows, Netflix has become entranced by this notion of the '13-hour movie' when developing a season. This format mashup does a disservice to both mediums. Television's strength lies in episodic structure, which allows writers to explore different tones, characters, story structure and conflict. Movies allow a filmmaker to hone in on one or two central themes, attack it from multiple angles and get out. Netflix’s model takes the most incompatible parts of each and slaps them together, creating a lumbering mutant medium. The '13-hour movie' model means we don’t get the brevity of a film or the variation of television; it means we get the singular focus of movies stretched out to television length. It’s exhausting and it does these heroes no favors."

Quote Unquotesee all »

“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento