MCN Curated Headlines Archive for October, 2011

“This is not a bill that targets ‘rogue foreign sites.’ Rather, it allows patent and copyright trolls, and any holder of any intellectual property right to target lawful U.S. websites and technology companies.”
NetCoalition, CEA, and CCIA Respond To Members Of Congress On “Stop Online Piracy Act”

NY Times

“What if the price of having a vital, well-financed string of newspapers included rare, but inevitable, sexual predation of minors?”
David Carr Takes A Swing With His Backpages.Com Lede

LA Times

“There’s this impression of Joe going around that he tricks girls into engaging in these sexual situations in his movies, and I feel like that’s just not giving the girls much credit.”
Indie-Focusing The Prolific Joe Swanberg, With 3 Films At AFI Fest

“Make a few demands/ I’m able to fulfill.”
Rhymin’ Steve Sondheim On His Memoiristic Reticence

“In the beginning, there were certain things I missed. In Hollywood, there’s the connection with the people who finance the films because you lunch or dine with them, whereas here, you never see them. Other than that, I miss friends. I miss Nate ‘n Al Delicatessen.”
Roman Polanski Waxes Nostalgic

“Most of the big films now are either end-of-the-world epics, comics or action sequels. Most of the work for real cameras is in second unit, and the rest is done with CGI. It’s not great work for filmmakers.”
Cinematographer John Seale Waxes Nostalgic

NY Times

“Even as a feminist, my whole life I’d been waiting for a man to love, who could love me. For decades, I’d thought that man would be my father. When I was 25, I met that man and he was my brother.”
A Eulogy For Steve Jobs, By His Sister, Novelist Mona Simpson

telegraph.co.uk

“Putting it very simply, Saul was a great film-maker.”
Scorsese On Saul Bass

When I was just a little girl
I asked my mother,
what will I be
Will I be pretty, will I be rich
Here’s what she said to me:
LA Film Critics Ass’n 2011 Life Achievement Award To Doris Day

“You don’t have to put on the red light”
The Epic End As Library Of Congress Dims Its Darkrooms

MCN Curated Headlines

Quote Unquotesee all »

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West