MCN Curated Headlines Archive for September, 2011

guardian

“A pregnant Charlotte Gainsbourg runs her fingers across her bump, which is encased in cashmere and discreetly wedged behind the table of a Paris hotel bar. She is trying to work out what her children might hate her for.”
Okay, Okay. Tell Me More.

“Hw’d Rule Means Audiences Lose”
Oz Academic Rues Lack Of Film Imports

telegraph.co.uk

“It’s a smashing piece of work–perhaps the most purely pleasurable movie I’ve seen all year. It should pack out every upscale cinema venue from the Curzons to the classier multiplexes, and these audiences will spill forth, like mine did, on a giddy high, swooning with pleasure, cooing over its most debonair moments and wittiest sight gags.”
Tim Robey Would Like A Word With Oscar

MCN Curated Headlines

Quote Unquotesee all »

“I don’t believe in the Nietzschean notion that what doesn’t destroy you makes you stronger. You see these soldiers come back with PTSD; they’ve been to war and seen death and experienced these existential crises one after the other. There are traumas in life that weaken us for the future. And that’s what’s happened to me. The various slings and arrows of life have not strengthened me. I think I’m weaker. I think there are things I couldn’t take now that I would have been able to take when I was younger.”
~ Woody Allen

“Hitchcock films the story with a wide-eyed, astonished, fascinated, and disturbed camera stare that seems to shudder and tremble every time Hedren is onscreen. Even the director’s cameo—in which he watches Hedren walking down a hotel corridor and then turns back to look at the camera, shamefacedly caught in his own leer—suggests his self-aware sense of visual carnality. The images offer an extraordinary swing between blasts of heat and an eerie chill, sometimes bringing the two together. Even the film’s exterior locations have a fluorescent buzz that captures an ambient sense of derangement.”
~ Richard Brody on Marnie

 

Z Weekend Report