MCN Curated Headlines Archive for May, 2011

NY Times

MSNBC Asserts: “Fake Dragon Tattoo Trailer Is Fake”
But – NYT: Sony Sez Probably Pirated Off U.S. Screen, Using Same Evidence
Oh, Wait – Salon Has Precisely The Same Conclusions!
While – THR Quotes A Buncha Bloggers And Cites Unnamed Sony Spokesperson With No Direct Quotes
Plus – “From a media perspective, it’s dealing in bad faith. Web sites and studios have an implicit agreement to work on the latter’s schedules; we withhold obviously pirated or leaked material until an authorized, theoretically superior version is available. It basically reduces us to another Hollywood marketing arm, but at least we have the prerogative to tell you if the campaign is stinky or ineffective.”
Vanairsdale On The Implications If It’s All A Salander-Fashioned “Hack”

NY Times

“There is something flattering and exciting about the permanence of paper, and we committed to doing serious journalism at a time when there has been this onslaught of hit-and-run bloggers.”
Carr Media-Equates Janice Min’s H’wd Reporter

LA Times

Raiders was the first movie where I actually shot the movie without thinking. I like to say that the line that most typifies the production of that movie was when Harrison says, ‘I’m making this up as I go along.'”
Spielberg On Raiders At 30

“He plays the role of the dedicated artist convincingly. This makes it extremely difficult for critics to believe that a man so devoted to his creations, so uninterested in grosses or the trappings of fame, could actually be quite an inept filmmaker. But such is the case. It has to be said: There is something mulish about his sophomorism, something stupefying about his work.”
Schickel Takes To Outlet Less Known Than Time To Point Pop Gun At Tree Of Life; Invokes, Yes, Preston Sturges’ 70-Year-Old Gag About The “Deep-Dish Movie”

NY Times

“Audiences are very smart. When they smell something aspiring to be more than it is, they catch on very quickly.”
3D! We Hardly Knew Ye!

NY Times

Serious-Funny x 2
“I’m a terrible actor,” he said, eating scrambled eggs. “I’m too self-conscious. I’m not a fan of me,” Mr. Ayoade said, “and I can’t become one.”
Richard Ayoade, The Quietly Self-Deprecating Mind Behind The Beguiling Submarine
And – Mike Mills On The Start Of Beginners

MCN Curated Headlines

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas