MCN Curated Headlines Archive for July, 2010

“Like bottom feeder Charlie Kaufman, Mr. Nolan’s reputation as an arrogant maverick draws a first-rate cast of players… barely even remotely lucid… incomprehensible gibberish… sorry butt… jabbering twaddle… pretentious perplexity”
Great-Unka Rex Reed, The Charlie Callas Of Ad Homineh-Homineh-Hominem Movie Reviews, Rubs One Out Over Chris Nolan

The Gags Alone Make This Analysis Suspect: “Even Ishtar has its defenders—ironic, coquettish types who wink at you from behind their yashmaghs.”
“What Happened To The Box-Office Bomb?”

LA Times

“Murky and flat… commands a lot of admiration but doesn’t produce a commensurate level of enjoyment… cinematic Calamine lotion amid a swarm of mosquitoes.”
Zeitchick Sez He’s No Reviewer, Then Dismisses Inception At Length


“This country can only function with an independent media with access to what the government is doing. How is anybody to know what’s going on, if the media doesn’t have access to the story?”
NPR On The Suspension Of The Press In BP Gulf Oilspill Coverage
Plus – PBS’ “5 Digital PR Lessons From BP’s Oilspill Response”

“Harvey Pekar’s life was not an open book. It was an open comic book.”
The Cleveland Plain Dealer’s Obit
And - Chef Ruhlman Says Goodbye To Fellow Clevelander

“There is no doubt that Polanski did what he did, which is have sex with a 13-year-old after plying her with booze. There is no doubt also that after all these years there is something stale about the case, not to mention a ‘victim’ who has long ago forgiven her assailant and dearly wishes the whole thing would go away. So do I.”
Annoying, Fustian Washington Post “Columnist” Richard Cohen Salutes Switzerland On “Freeing” Roman Polanski

telegraph.co.uk

“As an old prostitute once wearily complained at the end of a long shift, it’s not the work, it’s the stairs.”
Why Watch Theater On A Movie Screen?

telegraph.co.uk

“I have busy nights. If I wake up during a dream I can usually go back to sleep and finish the story.”
Marion Cotillard, Dreamer

telegraph.co.uk

“The internet’s like MTV. At one time MTV was hip and suddenly it became outdated. Anyway, all these computers and digital gadgets are no good. They just fill your head with numbers and that can’t be good for you.”
Prince Dances About The Internet

MCN Curated Headlines

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MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé

A Haunted House 2 is not a movie. It is a nervous breakdown. Directed by Michael Tiddes but largely the handiwork of star, producer, and co-writer Marlon Wayans, the film is being billed as yet another Wayans-ized spoof of the horror movie genre, à la the first Haunted House movie and the wildly successful Scary Movie series. (Keenen Ivory Wayans and his brothers were responsible for the first two Scary Movie films; they have since left that franchise, which may explain why a new one was needed.) And there are some familiar digs at recent horror flicks: This time, the creepy doll and the closet from The Conjuring, the family-murdering demon from Sinister, and the dybbuk box from The Possession all make appearances. But this new film is mostly an excuse for star Marlon Wayans to have extended freak-outs in response to the horrors visited upon him—shrieking, screaming, crying, cowering, and occasionally hate-fucking for minutes on end. Yes, you read that last bit right. A Haunted House 2 puts the satyriasis back in satire.”
Ebiri On A Haunted House 2