MCN Curated Headlines Archive for July, 2010

“Like bottom feeder Charlie Kaufman, Mr. Nolan’s reputation as an arrogant maverick draws a first-rate cast of players… barely even remotely lucid… incomprehensible gibberish… sorry butt… jabbering twaddle… pretentious perplexity”
Great-Unka Rex Reed, The Charlie Callas Of Ad Homineh-Homineh-Hominem Movie Reviews, Rubs One Out Over Chris Nolan

The Gags Alone Make This Analysis Suspect: “Even Ishtar has its defenders—ironic, coquettish types who wink at you from behind their yashmaghs.”
“What Happened To The Box-Office Bomb?”

LA Times

“Murky and flat… commands a lot of admiration but doesn’t produce a commensurate level of enjoyment… cinematic Calamine lotion amid a swarm of mosquitoes.”
Zeitchick Sez He’s No Reviewer, Then Dismisses Inception At Length


“This country can only function with an independent media with access to what the government is doing. How is anybody to know what’s going on, if the media doesn’t have access to the story?”
NPR On The Suspension Of The Press In BP Gulf Oilspill Coverage
Plus – PBS’ “5 Digital PR Lessons From BP’s Oilspill Response”

“Harvey Pekar’s life was not an open book. It was an open comic book.”
The Cleveland Plain Dealer’s Obit
And - Chef Ruhlman Says Goodbye To Fellow Clevelander

“There is no doubt that Polanski did what he did, which is have sex with a 13-year-old after plying her with booze. There is no doubt also that after all these years there is something stale about the case, not to mention a ‘victim’ who has long ago forgiven her assailant and dearly wishes the whole thing would go away. So do I.”
Annoying, Fustian Washington Post “Columnist” Richard Cohen Salutes Switzerland On “Freeing” Roman Polanski

telegraph.co.uk

“As an old prostitute once wearily complained at the end of a long shift, it’s not the work, it’s the stairs.”
Why Watch Theater On A Movie Screen?

telegraph.co.uk

“I have busy nights. If I wake up during a dream I can usually go back to sleep and finish the story.”
Marion Cotillard, Dreamer

telegraph.co.uk

“The internet’s like MTV. At one time MTV was hip and suddenly it became outdated. Anyway, all these computers and digital gadgets are no good. They just fill your head with numbers and that can’t be good for you.”
Prince Dances About The Internet

MCN Curated Headlines

Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award