Movie City News Archive for November, 2015

Sumner Redstone Wins First Round In Competency Challenge

Sumner Redstone Wins First Round In Competency Challenge

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Beanie Barnes Says There Are Too Many Indie Films

“If you generously assume 20% of all films receive theatrical distribution, about 7,500 films were made last year. On average, people go to the movies only about six times a year, and watch fewer than 100 movies a year (90% coming from studios). Knowing this, many still advocate for more indie films. Why? Why do so…

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Muses Former IFP Executive Director Catherine Tait

“Making feature films almost feels like an anachronism to me. It’s an extremely difficult undertaking. It was always difficult, and now it just feels monumentally difficult. So maybe the Gothams are more relevant.” Muses Former IFP Executive Director Catherine Tait

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Martian Cutter Pietro Scalia On ” The Intimate Space Between The Director And The Editor”

Martian Cutter Pietro Scalia On “The Intimate Space Between The Director And The Editor”

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Vittorio Storaro Talks At Camerimage

A Few Thousand Words With Vittorio Storaro At Camerimage

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Jessica Pressler’s Six-Part Vulture “Cover Story” On The Miracle That Is The Big Short

“Each of them had a kind of point. Anchorman was clearly, like, what the f— happened to the television media, what a joke it’s become.Talladega Nights was about this weird stubborn pride that was showing up in America, kind of the corporate takeover of southern pride. Stepbrothers was about how consumerism turns grown-ups into little kids.”…

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After Three Volumes In 25 Years, Simon Callow’s Still Not Done With Orson Welles

After Three Volumes In 25 Years, Simon Callow’s Still Not Done With Orson Welles

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Chicago’s Table, Donkey, Stick Resto Mounts A Star Wars I-VI Dinner

Tauntaun Soup Dumplings, Jar Jar Bisque, Obi-Wan Pierogi Chicago’s Table, Donkey, Stick Resto Mounts A Star Wars I-VI Dinner

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A Rambling But Heartfelt “Eulogy For A Film Repertory Program”

A Rambling But Heartfelt “Eulogy For A Film Repertory Program”

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Spotlight, Tangerine Get Gotham Goods

Spotlight, Tangerine Get Gotham Goods

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Fansite Goes Deep On Hateful 8 Tech

70mm Fansite Goes Deep On Hateful Eight Tech

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“Last year, my agent and I went to Sundance with script in hand for Chi-Raq. Everybody said no except Amazon. And even after Amazon said yes, we had to stage two readings for them. I tell my class that that’s another example that it only takes one yes.”

“Last year, my agent and I went to Sundance with script in hand for Chi-Raq. Everybody said no except Amazon. And even after Amazon said yes, we had to stage two readings for them. I tell my class that that’s another example that it only takes one yes.”

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Slamdance Announces Competition Features And Docs

SLAMDANCE ANNOUNCES 2016 FEATURE FILM COMPETITION WITH INCREASED GLOBAL REACH AND DIVERSITY Lineup full of premieres and highlights first-time directors from around the globe including Australia, Brazil, Canada, Germany, Indonesia, Italy and UK tackles subjects of redemption, agoraphobia, misfits, captivity, friendship and whistleblowers (LOS ANGELES, CA – November 30, 2015) The Slamdance Film Festival today…

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Ta-Nehisi-Coates Disputes Spike Lee Comments About Chi-raq And Campus Rape

“Claiming that sex-strikes can stop rape  is premised on the idea that rapists are somehow concerned with the thoughts and opinions of their potential victims. There is very little evidence support this contention.” Ta-Nehisi-Coates Disputes Spike Lee Comments About Chi-raq And Campus Rape

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From Before Creed, Andrew Bujalski’s “Unified Theory Of The Rocky Movies”

From Before Creed, Andrew Bujalski‘s “Unified Theory Of The Rocky Movies”

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Thailand’s Leading Chain To Add 100 Cinemas Next Year, As Well As Expanding With Partners In Vietnam, Myanmar, Laos And Cambodia

Thailand’s Leading Chain To Add 100 Cinemas Next Year, As Well As Expanding With Partners In Vietnam, Myanmar, Laos And Cambodia

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“Something has happened in the movie world since the late 90s. Box-office speculation has a serious case of hypertension.”

“Something has happened in the movie world since the late 90s. Box-office speculation has a serious case of hypertension.”

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Alex Ross On A Century Of Orson Welles

“He was a subversive populist, a celebrity avant-gardist. He was also, frequently, a political artist, one who came of age during the heyday of the Popular Front and never ceased to roil the culture industry.” Alex Ross On A Century Of Orson Welles

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WeinsteinCo To Follow Slow, Steady Release Pattern Of The Artist And The King’s Speech For Carol

WeinsteinCo To Follow Slow, Steady Release Pattern Of The Artist And The King’s Speech For Carol

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Bruce Robinson On His Epic New Jack The Ripper Book That Might Have Been A Movie

Bruce Robinson On His Epic New Jack The Ripper Book That Might Have Been A Movie

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Movie City News

The DVD Wrapup: After the Wedding, Buñuel in the Labyrinth, Bliss, Nuke ’Em High Redux, Tel Aviv on Fire, They Are We, Hitchhikers, Far Country, Popstar, Truth … More

Review: The Good Liar

“It is done his way. The script is shot in sequence and actors learn the story as they go along – all the better to surprise them. “I just want the performance to come straight from their stomach,” he says. At lunchtime, everyone piles into a minibus to go to a church hall. Loach remembers shooting Bread and Roses in Los Angeles, and an actor asking: “Where are the chairs?” Loach said: “What chairs? There are a few around. Find one.” “We always have chairs with our name on.” Loach: “How old are you?” “Sixty.” “Well I’m fucking 75. When you see me sit down, you sit down.” Loach laughs then says: “We keep going because we’re so inexpensive.”

OH, NO HUMANITY

“The first day subscription numbers are impressive, but not surprising, this being the greatest family brand, the one must-have brand in familydom. There’s been grumbling online, particularly from middle-aged critics, about how much is missing and how there is nothing for them to watch. D+ is failing to serve the all-important ‘Mad Men’ audience of media professionals!”

“Howard Hawks was a wonderful director, but he was not the greatest director Hollywood ever knew. The guys with the cigarette ashes on them ignored our greatest directors and humiliated George Stevens, Willie Wyler, Billy Wilder,” Mike Nichols once said of the film giants whose critical stock crashed when New Hollywood arrived. “The tragedy of Willie and Stevens and Fred Zinnemann, these were great men, but they just weren’t part of the froggy conspiracy.” Welles and Ford agreed the director was the driving creative force of their films, but to what end? What was it about?”

Lawrence G. Paull Was 81

The Rise And Rise Of Queen & Slim’s Melina Matsoukas

Joker First Billion-Grossing R-Rated Pic

Louis C.K. for part of his comeback tour “What’s mostly absent now though is the appearance that he’s at least trying to be decent,”

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon