Movie City News Archive for December, 2012

The DVD Wrapup

Cosmopolis, Looper, A Man Vanishes, Trouble With Bliss, War of the Dead, Justified, Climate of Doubt … and more.

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TribuneCo Began With A Hand Press In 1847; Now It’s Set To Become A Broadcast Play

“What we have seen in the Tribune in the Zell tenure is a reflection of the demise of the American metro newspaper and its uncertain prospects going forward.” TribuneCo Began With A Hand Press In 1847; Now It’s Set To Become A Broadcast Play

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Thompson And Good Dr. Bordwell On The Ten Best Films Of 1922

Thompson And Good Dr. Bordwell On The Ten Best Films Of 1922

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Amid E-Voting SNAFUs, Academy Extends Oscar Ballot Deadline By A Day

Amid E-Voting SNAFUs, Academy Extends Oscar Ballot Deadline By A Day

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Vulture’s “Toughest Scene I Wrote” Series All On One Page

Vulture’s “Toughest Scene I Wrote” Series All On One Page

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Rushfield’s 10 Resolutions For H’wd 2013

Rushfield‘s 10 Resolutions For H’wd 2013

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Why No Love For The RomCom?

Why No Love For The RomCom?

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Here Comes Libyan Culture

Here Comes Libyan Culture

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Not A Spoiler; There’s No End To Carping About Movie Endings

Not A Spoiler: There’s No End To Carping About Movie Endings

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Italian Film Festivals Have Another Anno Di Tumulto

Italian Film Festivals Have Another Anno Di Tumulto

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Skyfall Blighty’s First £100 Million-Grosser

Skyfall Blighty’s First  £100 Million-Grosser

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China Abolishes Net Anonymity

China Abolishes Net Anonymity

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Yang Teng-kuei, 74, Financed Hou Hsiao-hsien’s A City Of Sadness; Taiwan Mogul Also Behind Jet Li; Imprisoned For 3 Years On Green Island For Gangland Ties

Yang Teng-kuei, 74, Financed Hou Hsiao-hsien’s A City Of Sadness; Taiwan Mogul Also Behind Jet Li; Imprisoned For 3 Years On Green Island For Gangland Ties

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Cinematographer John Bailey Projects The Future From The Films Of 1912

Cinematographer John Bailey Projects The Future From The Films Of 1912

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So Sooth Singer

“In 2013, I’ll write more reflection and less prediction.” So Sooth Singer

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2013 Brings New Contract Negotiations For SAG-AFTRA, Writers Guild, Directors Guild

2013 Brings New Contract Negotiations For SAG-AFTRA, Writers Guild, Directors Guild

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Peter Greenaway Holds No Amour For Old Age

Peter Greenaway Holds No Amour For Old Age

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Were Irish Newspapers Hoping In 2012 To Destroy The Web Or Just Commit Mass Media Suicide?

Were Irish Newspapers Hoping In 2012 To Destroy The Web Or Just Commit Mass Media Suicide?

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In Sundance Competition, Men And Women Directors At Parity

In Sundance Competition, Men And Women Directors At Parity

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Cloud Atlas? In South Korea, Bae Doo-na Has An App For That

Cloud Atlas? In South Korea, Bae Doo-na Has An App For That

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Movie City News

“When we add it all up, what is it costing the industry just to take care of its top-20 producers? What is that total price tag going to look like once all their shows are in production? With 7,000 shows sloshing around in the streaming jungle, all trying to get attention, what is the guarantee that the Next Giant Thing, or the Next 10 Giant Things, will come out of this group? TV breakthroughs, as often as not, don’t come from seasoned workshops, but from newish upstarts, breaking out with something no one thought of before. Who the hell were Benioff and Weiss before ‘GoT’? Would anyone have given them a $250 million overall deal?”

MZS on Indie Theaters

Harvey Has An Excuse

“I guess it’s talking about the fear of intimacy, you know? When I was young, and you’re a musician, it took me a long time to get to a certain place where I felt comfortable with family and loving somebody and being loved,” Bruce Springsteen says. “Really, that’s what’s the film is about. The film takes you on that journey. Like I say, there are two parts to the American character: one is very isolated and one is in search of community. So how do you make your peace with both of those things? That’s really what the picture is about.”

Jamie Leigh

Midwest FurFest Bars Rightwing Agitator Milo Yiannopoulos and His Newly-Doffed Snow Leopard Fursona

Saturday Night Live Rescinds Proffer To Shane Gillis As History of Racist And Homophobic Slurs Expand; Search On For A Replacement Reprobate?

TIFF Audience Award Goes Jojo Rabbit, With Marriage Story And Parasite Close Behind

“A New Era of the Strips, With Gary Larson Drawing, Is Returning”

James Murdoch Talks To Jane Mayer After Disney Buy

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima