Movie City News Archive for April, 2011

Bellamy And Howard Go Really, Really, Really Long On The Films Of Wong Kar-Wai

Bellamy And Howard Go Really, Really, Really Long On The Films Of Wong Kar-Wai

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Cannes As Photographed By Generations Of Traversos (Mind That Pool!)

Cannes As Photographed By Generations Of Traversos (Mind That Pool!)

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SAG National Board of Directors Unanimously Establishes Merger Task Force; Adopts Successor Union Mission Statement

FOR IMMEDIATE RELEASE Guild Task Force to work directly with AFTRA counterparts to develop formal merger plan for approval by National Boards in January 2012. Los Angeles, (April 30, 2011) – The Screen Actors Guild National Board of Directors today unanimously approved the creation of a Merger Task Force to work with their AFTRA counterparts…

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SAG Nat’l Board Unanimous In Scootch Toward AFTRA Merger

SAG Nat’l Board Unanimous In Scootch Toward AFTRA Merger With – The Complete Statement, Including Merger Text

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Tribeca Audience Award Goes To Give Up Tomorrow

Tribeca Audience Award Goes To Give Up Tomorrow

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2011 TRIBECA FILM FESTIVAL ANNOUNCES HEINEKEN AUDIENCE AWARD WINNER – GIVE UP TOMORROW

New York, NY [April 30, 2011] – The 10th annual Tribeca Film Festival (TFF), co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by founding sponsor American Express, announced the winner of the Heineken Audience Award – Give Up Tomorrow – tonight at Eye Beam in New York City. The film’s director,…

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Atlas Shrugged Producer Shifts Back Into Optimistic Mode

Atlas Shrugged Producer Shifts Back Into Optimistic Mode

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Digital Foraging: The More Starbucks Any City Like New York Gets, The More Thieves Quietly Walk Off With iPads, Laptops, iPhones, BlackBerrys…

Digital Foraging: The More Starbucks Any City Like New York Gets, The More Thieves Quietly Walk Off With iPads, Laptops, iPhones, BlackBerrys…

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William Campbell, 83, Was In Coppola’s Dementia 13; Sang With Elvis In Love Me Tender; Remembered For Early “Star Trek” Episodes

William Campbell, 83, Was In Coppola’s Dementia 13; Sang With Elvis In Love Me Tender; Remembered For Early “Star Trek” Episodes

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Bryan Singer On The Challenge Of Writing Credits

Bryan Singer On The Challenge Of Writing Credits

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Remembering Canadian Film Pioneer Gerald Pratley, Who Died Last Month At 87

Remembering Canadian Film Pioneer Gerald Pratley, Who Died Last Month At 87; CBC’s First Film Critic, Founder Ontario Film Institute (Now TIFF Cinematheque), Historian, Teacher And – Was “One Of The Real Guys” Was – “The Godfather Of The Cinematheque”

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Limited Edition Mars Needs Moms Pins Still Available!

Limited Edition Mars Needs Moms Pins Still Available!

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NZ Approves Showing Of LA Zombie, Gay Horror Banned In Australia

NZ Approves Showing Of LA Zombie, Gay Horror Banned In Australia

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Ebert Pages His Fest Bloggers

Ebert Pages His Fest Bloggers

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On Director Kelly Reichardt As Taskmaster

On Director Kelly Reichardt As Taskmaster

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On The Brilliance Of W. C. Fields’ Line Readings

On The Brilliance Of W. C. Fields’ Line Readings

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Thompson Gets QT Project Confirmation; Includes Spoiler-ish Synopsis

Thompson Gets QT Project Confirmation; Includes Spoiler-ish Synopsis

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Adam Thirlwell On My Dog Tulip

Adam Thirlwell On My Dog Tulip

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Kenny On Moderating Scorsese And Cissé

Kenny On Moderating Scorsese And Cissé

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Hawaii Asked For Tax Credits To Support Kavanaugh, Bing Studios

Hawaii Asked For Tax Credits To Support Kavanaugh, Bing Studios

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Movie City News

The DVD Wrapup: After the Wedding, Buñuel in the Labyrinth, Bliss, Nuke ’Em High Redux, Tel Aviv on Fire, They Are We, Hitchhikers, Far Country, Popstar, Truth … More

Review: The Good Liar

“It is done his way. The script is shot in sequence and actors learn the story as they go along – all the better to surprise them. “I just want the performance to come straight from their stomach,” he says. At lunchtime, everyone piles into a minibus to go to a church hall. Loach remembers shooting Bread and Roses in Los Angeles, and an actor asking: “Where are the chairs?” Loach said: “What chairs? There are a few around. Find one.” “We always have chairs with our name on.” Loach: “How old are you?” “Sixty.” “Well I’m fucking 75. When you see me sit down, you sit down.” Loach laughs then says: “We keep going because we’re so inexpensive.”

OH, NO HUMANITY

“The first day subscription numbers are impressive, but not surprising, this being the greatest family brand, the one must-have brand in familydom. There’s been grumbling online, particularly from middle-aged critics, about how much is missing and how there is nothing for them to watch. D+ is failing to serve the all-important ‘Mad Men’ audience of media professionals!”

“Howard Hawks was a wonderful director, but he was not the greatest director Hollywood ever knew. The guys with the cigarette ashes on them ignored our greatest directors and humiliated George Stevens, Willie Wyler, Billy Wilder,” Mike Nichols once said of the film giants whose critical stock crashed when New Hollywood arrived. “The tragedy of Willie and Stevens and Fred Zinnemann, these were great men, but they just weren’t part of the froggy conspiracy.” Welles and Ford agreed the director was the driving creative force of their films, but to what end? What was it about?”

Lawrence G. Paull Was 81

The Rise And Rise Of Queen & Slim’s Melina Matsoukas

Joker First Billion-Grossing R-Rated Pic

Louis C.K. for part of his comeback tour “What’s mostly absent now though is the appearance that he’s at least trying to be decent,”

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon