Movie City News Archive for May, 2010

Wilmington on Movies: Prince of Persia: Sands of Time, Sex and the City 2 and MacGruber…

Prince of Persia: Sands of Time (Three Stars) U.S.; Mike Newell, 2010 Prince of Persia, which is probably one of the best-looking Arabian fantasy movies ever, is also unfortunately

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Wilmington on Movies: Shrek Forever After, Looking for Eric and Father of My Children …

Shrek Forever After (Three Stars) U.S.; Mike Mitchell, 2010 Shrek Forever After is supposedly “The Final Chapter.” But that title may be making false promises.

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Wilmington on Movies: Robin Hood and Just Wright…

Robin Hood (Three and a Half Stars) U.S.; Ridley Scott, 2010 “To live outside the law, you must be honest,“ Bob Dylan once sang

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Wilmington on Movies: Iron Man 2, Babies and Mother and Child…

Iron Man 2 (Two and a Half Stars) U.S.; Jon Favreau What would we have thought back in the 1960s, if someone had told us that

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies