Movie City News Archive for December, 2009

Wilmington on Movies: It’s Complicated, The Lovely Bones, Nine, Police – Adjective, Did You Hear About the Morgans?

It’s Complicated (Three Stars) U.S.; Nancy Meyers, 2009 It’s Complicated tries to show that age cannot wither, nor custom stale, even in Santa Barbara, with Meryl Streep making croissants, Alec Baldwin undergoing fertility tests and some funny smoke in the air. The movie costars Streep as a happy baker who’s lived too long unmarried, Baldwin…

Read the full article »

Wilmington on DVDs: THE TEN BEST

Here are my choices for the ten best DVD and DVD box sets (plus a few runners-up) for 2009, last year of the first decade of the twenty-first century.

Read the full article »

Stefan Nadelman’s video for “I Say Fever,” by Ramona Falls

Nadelman won a 2003 Sundance prize for his 22-minute Terminal Bar. This is a wow. [Via

Read the full article »

Wilmington on Movies: Sherlock Holmes, Into Temptation

Sherlock Holmes (Three Stars) U.S.; Guy Ritchie, 2009 Sir Arthur Conan Doyle’s fog-bound, spellbinding adventures of Sherlock Holmes and Dr. John Watson were among the magical books of my childhood. The game’s afoot! “Elementary, my dear Watson.” The curious incident of the dog in the night-time. I even invented my own counterfeit Holmes and Watson…

Read the full article »

Wilmington on Movies: Avatar, Princess & the Frog, The Young Victoria

  Avatar (Four Stars) U.S.; James Cameron, 2009 Avatar, James Cameron’s planet-shaking, moon-rocking, eco-worshipping, dragon-riding new science fiction fantasy epic-and-a-half, may not be a perfect movie. But it’s sure as hell an incredible experience. It’s a genre-movie knockout, a cinematic mind-blast and a technological marvel whose feats of 3D motion-capture and CGI pyrotechnics, and the…

Read the full article »

Wilmington on DVDs: Inglourious Basterds, The Hangover, Harry Potter and the Half-Blood Prince, 500 Days of Summer and more…

Inglourious Basterds (Three and a Half Stars) U. S.; Quentin Tarantino, 2009 (Universal) Quentin Tarantino shoots the works in Inglorious Basterds, a wild movie-movie-lover’s blend of WW2 action film pyrotechnics, subtitled art cinema romance, inside-movie allusions of every type and description, grand spaghetti-operatic Sergio Leone stylistics, and a brash Let’s-rewrite-World War 2-and make-it-a-De Palma flick…

Read the full article »

Wilmington on Movies: Invictus, Brothers, The Messenger

Invictus (Four Stars) U.S.; Clint Eastwood, 2009 I am the master of my fate. I am the captain of my soul. Those are the stirring last words of William Ernest Henley’s “Invictus,” the British poem from which black political prisoner and Apartheid foe Nelson Mandela took heart during his 27 years in South African prisons…

Read the full article »

Wilmington on DVDs: Julie and Julia, The Hangover, Harry Potter and the Half-Blood Prince, 500 Days of Summer and more…

Julie and Julia (Three Stars) U. S.; Nora Ephron, 2009 (Sony) In Julie and Julia, a perky and ambitious young Manhattan writer named Julie Powell, decides to cook all the recipes in Julia Child’s culinary bible “Mastering the Art of French Cooking” in the space of a year — and write a blog about it,…

Read the full article »

Wilmington on Movies: Up in the Air, Everybody’s Fine and Old Dogs

Up in the Air (Three-and-a-Half Stars) U.S.; Jason Reitman, 2009 In Jason Reitman’s Up in the Air, which I rather liked, George Clooney plays a prime/perfecto Clooney role: Ryan Bingham, a nice-seeming, glamorous looking guy with a highly remunerated, very nasty job. Ryan is a severance expert, a corporate gun-for-hire, who flies around the country…

Read the full article »

Wilmington on DVDs: Terminator Salvation, Wizard of Oz, A Christmas Tale, Night at the Museum, Paper Heart, Flame and Citron and more…

Terminator Salvation (Also Director’s Cut and Blu-Ray) (Two Stars) U. S.; McG, 2009 (Warner) Terminator Salvation — a big, roaring, burn-down-the-planet sequel to the Terminator trilogy set in the future — tries to be a new super-apocalyptic nightmare worthy of its Terminating predecessors: a cine-techno-bloodbath where man battles machine, cyborg battles mini-copter, robot battles android,…

Read the full article »

Movie City News

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon