MCN Critics Roundup Archive for October, 2015

The DVD Wrapup: Larry Fessenden, My Favorite Martian, Testament of Youth, A Special Day and more

Like Clint Howard, Larry Fessenden is a seemingly tireless supporting actor whose horror-perfect face is far better known than his name, at least outside of Hollywood and fan conventions. If they hadn’t found work in the pictures, both could easily be mistaken for carnies, roustabouts, road-crew workers and reprobates of all stripe. Fessenden’s background may smack of East Coast establishment, but he caught exploitation fever in his teens and hasn’t had time to look back since then. At 52, he has more than a dozen credits as an actor (84), director (22), producer (58), writer (13), editor (15) and cinematographer (14).

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The DVD Wrapup: Tomorrowland, Aladdin, Dope, Big Eden, Requiescant, Alleluia and ore

Despite releasing Tomorrowland and Aladdin on Blu-ray almost simultaneously, Disney may not be asking consumers to draw any conclusions about the company’s past, present and future, but, what the hell, what better time?

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Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz