DVD & Blue Ray Archive for January, 2018

The DVD Wrapup: In Search of Fellini, In Her Name, High School Sinks Into Sea, Jigsaw, Argento’s Opera, Red Trees and more

I can’t remember the last time I was so charmed by a movie that was dumped into limited release, received mixed reviews and could be lost in the shuffle of January releases that receive little fanfare. Maybe, though, I can help draw attention to In Search of Fellini if I point out the romantic fantasy’s “Simpsons” connection. (Everybody loves “The Simpsons.”) In Search of Fellini was adapted from a one-woman play co-written by Nancy Cartwright, who, since 1989, has been the voice of Bart Simpson on Fox’s trail-blazing animated series. Before that, however, the Ohio native joined an acting class taught by Milton Katselas. He recommended that she study Federico Fellini’s La Strada, which starred Giulietta Masina as the street urchin sold by her mother to circus strongman Zampano (Anthony Quinn) to be his comic foil. Cartwright recalls performing “every imaginable scene” from the movie in her class and spending several months trying to secure the rights to produce a stage adaptation. Like the protagonist in In Search of Fellini, she visited Italy with the intention of meeting Fellini and requesting his permission in person. Although she never met the Maestro, Cartwright kept a journal of the trip and later co-wrote the play upon which it was based.

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The DVD Wrapup: Matinee, Crooked House, Jawbone, Cook Off!, Blue World Order, Into the Amazon, Tuxedo Park and more

I wonder if kids today, are being prepped for the possibility of a nuclear strike. I haven’t read any reports of people stockpiling goods or hurriedly digging holes in their backyards for bomb shelters, as was the case during the 1962 Cuban Missile Crisis. It’s possible that Americans not only have convince themselves that cooler heads will prevail, as they did then, or they no longer can be conned into believing that ducking underneath a desk and covering their heads could protect anyone from becoming toast. Fifty-five years ago, however, that’s all the hope American school children were given. In Joe Dante’s wonderfully nostalgic Matinee, kids living in Key West, Florida – 90 miles from Cuba, where Soviet missiles were being pointed directly at them – were allowed to take a break from ducking-and-covering exercises long enough to enjoy a movie about a man who turns into a giant ant after a botched X-ray exam at the dentist.

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The DVD Wrapup: 68 Kill, Bad Day for the Cut, Friend Request, Tiger Hunter, CERN, Conduct!, Macon County Line and more

January is also prime time for studios to dump disappointments and question marks into theaters, before a fast turnaround on video. Occasionally, an overlooked gem will sneak into circulation – last year’s The Founder and Split, for example — but it won’t be because anyone saw it coming. I’ve found a few titles that fit that description.

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The DVD Wrapup: Chavela, Teacher, Shadowman, Shock Wave, Laugh-In and more

After getting sober, with the help of natural healing agents introduced to her by an Indian family that took her in, Vargas returned to the stage in 1991, performing at a bohemian Mexico City nightclub called “El Hábito.” Many fans of her recorded music, including Spanish director Pedro Almodóvar, had assumed that she had succumbed years earlier. When he learned that Chavela was performing in Mexico, Almodóvar arranged for his personal muse to headline sold-out concerts in Madrid, Paris and New York’s Carnegie Hall. Although she had long dreamed of singing in such venues, her “overnight success” came late in her life. In her autobiography, Vargas also came out, which opened the door to a new demographic.

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.