DVD & Blue Ray Archive for October, 2017

The DVD Wrapup: Lady Macbeth, Girls Trip, Moka, Chicago, American Gods and more

s as if a sympathetic visitor had left a copy of Gustave Flaubert’s recently published “Madame Bovary” within her reach, hoping it would spark Katherine’s desire for something more substantial than practicing her needlepoint and making sure the surfaces are being dusted. When their relationship becomes the subject of village gossip, Katherine concocts plans that would leave her the true head of the estate. Viewers may not be able to precisely identify the peril that looms just over the horizon, but we know it can’t possibly bode well for the weak-willed Sebastian. In an interesting decision, Oldroyd and screenwriter Alice Birch elected to make three key characters of African descent. The story practically ignores their race, leaving the audience to make of the casting what it will.

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The DVD Wrapup: Survivalist, Vampyr, Lure, Giallo, Dreamgirls and More

At a time when dystopian dramas are a dime a dozen, it bears noting when something out of the ordinary emerges. Filmed entirely in a lush forest, near Antrim, Northern Ireland, The Survivalist is just such a picture. After appearing at prominent festivals to rave reviews, Stephen Fingleton’s directorial debut was accorded only a tentative release before being sent to the video after-marketplace. It isn’t difficult to guess why. Set in an indeterminate time and place, after an unexplained energy-related catastrophe, The Survivalist chronicles one unnamed man’s struggle to survive in an environment devastated by famine, overpopulation and desperation. The survivalist (Martin McCann) appears to have prepared for all possible threats to his security, short of nuclear war.

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The DVD Wrapup: Queen of the Desert, POTC 5, DeMille’s Lost City, Otherworld, Patsy Cline, Wanda and more

Herzog also allows time for coverage of her love affairs, which either were ill-advised or crushed by her domineering parents. But as fascinating a character as Bell is, the director’s longtime fans won’t find anything in Bell that recalls Klaus Kinski’s eccentric behavior in Aguirre, the Wrath of God and Fitzcarraldo, or, for that matter, Nicolas Cage, in Bad Lieutenant: Port of Call New Orleans. Maybe, critics were hoping for a bit more craziness in Kidman’s portrayal of such an independent and driven soul as Bell. There’s nothing at all wrong with Peter Zeitlinger’s cinematography, which nicely captures the desert scenery and extremes of Jordan and Morocco.

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DVD & Blue Ray

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Gary J Dretzka on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

aniban83 on: The DVD Wrapup & Gift Guide III: Venom 4K, The Super, Snowflake, Marie Curie, Gamechangers, Who We Are Now, 40 Guns, De Palma-De Niro,, Starman and more

Quote Unquotesee all »

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz

This is probably going to sound petty, but Martin Scorsese insisting that critics see his film in theaters even though it’s going straight to Netflix and then not screening it in most American cities was a watershed moment for me in this theatrical versus streaming debate.

I completely respect when a filmmaker insists that their movie is meant to be seen in the theater, but the thing is, you got to actually make it possible to see it in the theater. Some movies may be too small for that, and that’s totally OK.

When your movie is largely financed by a streaming service and is going to appear on that streaming service instantly, I don’t really see the point of pretending that it’s a theatrical film. It just seems like we are needlessly indulging some kind of personal fantasy.

I don’t think that making a feature film length production that is going to go straight to a video platform is some sort of “step down.“ I really don’t. Theatrical exhibition as we know it is dying off anyway, for a variety of reasons.

I should clarify myself because this thread is already being misconstrued — I’m talking about how the movie is screened in advance. If it’s going straight to Netflix, why the ritual of demanding people see it in the theater?

There used to be a category that everyone recognized called “TV movie” or “made for television movie” and even though a lot of filmmakers considered that déclassé, it seems to me that probably 90% of feature films fit that description now.

Atlantis has mostly sunk into the ocean, only a few tower spires remain above the waterline, and I’m increasingly at peace with that, because it seems to be what the industry and much of the audience wants. We live in an age of convenience and information control.

Only a very elite group of filmmakers is still allowed to make movies “for theaters“ and actually have them seen and judged that way on a wide scale. Even platform releasing seems to be somewhat endangered. It can’t be fought. It has to be accepted.

9. Addendum: I’ve been informed that it wasn’t Scorsese who requested that the Bob Dylan documentary only be screened for critics in theaters, but a Netflix representative indicated the opposite to me, so I just don’t know what to believe.

It’s actually OK if your film is not eligible for an Oscar — we have a thing called the Emmys. A lot of this anxiety is just a holdover from the days when television was considered culturally inferior to theatrical feature films. Everybody needs to just get over it.

In another 10 to 20 years they’re probably going to merge the Emmys in the Oscars into one program anyway, maybe they’ll call it the Contentys.