DVD & Blue Ray Archive for September, 2017

The DVD Wrapup: Transformers, Lynch’s Art, Piano Teacher, Ruby, Sarno, Jesús, Devil’s Candy and more

For a movie that cost an estimated $217 million to make and God knows how much more to market, Transformers: The Last Knight shouldn’t have had to rely on the overseas marketplace to save to save its ass.

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The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

I wonder how many kids and young adults have only watched E.T. The Extra-Terrestrial and Close Encounters of the Third Kind on screens smaller than a Mini or Fiat. There probably have been plenty of opportunities to catch a special screening at a plus-size theater with state-of-the-art visuals and sonics, but the temptation to watch something with less mileage probably outweighed the advantages of seeing these masterpieces the way Steven Spielberg intended.

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The DVD Wrapup: Beatriz at Dinner, The Mummy, Soul on a String, The Resurrected, Spider, The Apology, Glen Campbell and more

Although Miguel Arteta and Mike White have proven perfectly capable of creating edgy dramedies of their own — HBO’s “Enlightened,” The Good Girl, Chuck and Buck – I can’t help but see Neil LaBute’s darkly comic influence in their latest collaboration.

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The DVD Wrapup: Band Aid, First Kill, Iron Protector, All Eyez, Wedding Plan, Maurice, Big Knife, Narcos 2 and more

In her directorial debut, Zoe Lister-Jones walks the razor-thin line separating relationship dramedy and millennial mockumentary. The 35-year-old Brooklyn native maintains her balance throughout Band Aid, while continually switching the hats typically worn by writers, actors, producers and lyricists. It demonstrates how well she’s paid attention to her environs – not to mention, dues — on the long road to prominence in a cutthroat business. Lister-Jones isn’t there quite yet, but her face should be familiar to viewers of such sitcoms as “Life in Pieces,” “Whitney,” “New Girl” and “Friends with Better Lives.”

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DVD & Blue Ray

Roy Atkinson on: DVD Wrapup: Commuter, Oscar, A Taxi Driver, Humor Me, Prince, Doris Day, Shakespeare Wallah, Pomegranates and more

gary j dretzka on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Yvan Prime on: The DVD Wrapup: Ballad of Lefty Brown, Wonder, Blades, Seijun Suzuki, Fellini, Hellraiser, Paradise and more

Antoine Ratliff on: The DVD Wrapup: Letter From An Unknown Woman, Despicable Me 3, Crucifixion, Maurizio Cattelan, A New Leaf, Silent Night and more

Fernando on: The DVD Wrapup: King George, Cars 3, Overdrive, Afterimage, Glass Castle, Whisky Galore, The Journey, Into the Night, Sissi, Stay Hungry and more

Woody on: The DVD Wrapup: ET, Vietnam, Big Sick, Glory, Certain Women, The Hero, Hana-Bi, By the Time It Gets Dark, The Prison, The Flesh, Moderns … More

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Richard on: DVD Geek: Batman v Superman: The Dawn of Justice Ultimate

Ray Pride on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

RAY WEIKEL on: The DVD Wrapup: Founder, Punching Henry, Paris 05:59, Apocalypse Child, Donnie Darko, Woman of the Year, Tampopo, Handmaid’s Tale and more

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch